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Recent projects by the offices of Sanaa, Kazuyo Sejima & Associates and Ryue Nishizawa. Projects include the Serpentine Gallery Pavilion in London, the Rolex Learning Center in Lausanne, and a Multifunctional Building for the Serralves Foundation in Porto, the Neruda Tower in Guadalajara, the Elche Palmerial Viewpoint in Alicante, The Shakujii Apartments in Tokyo, the Hyundai Card Hall in Seoul, the Okurayama Apartments in Yokohama, the Carina Store in Aoyama, the Toyota Aizuma Hall in Aichi, a villa in Hayama (Kanagawa), an Office Building in Shibaura (Tokyo), the Towada Art Center in Aomori, the Teshima Art Museum in Kagawa, the Inujima Art House Project and others. Included is an interview with Sejima and Nishizawa by Mohsen Mostafavi.

• Sales Rank: #1673400 in Books
• Published on: 2011-06-16
• Original language: Spanish
• Dimensions: 13.58" h x .79" w x 9.96" l,
• Binding: Paperback
• 254 pages

Most helpful customer reviews

0 of 4 people found the following review helpful.
good
By Rebeca L. Moura
the prduct arrived on time.
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Great Monograph
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It is still a great monograph although not as many projects as other Sanaa El Croquis books.

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The Contemporary Topics Audio CDs provide the audio of all lectures and listening exercises. This interactive listening-speaking series prepares students for the challenges of college lectures with a wide range of listening, speaking, and note-taking strategies and skills. The lectures are drawn from a range of academic disciplines and reflect authentic lecture settings, featuring engaging instructors and live student audiences.

• Sales Rank: #1203252 in Books
• Published on: 2009-01-23
• Format: Audiobook
• Original language: English
• Number of items: 1
• Dimensions: 5.50" h x .90" w x 4.90" l, .40 pounds
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From the Back Cover
The Contemporary Topics Audio CDs provide the audio of all lectures and listening exercises. This interactive listening-speaking series prepares students for the challenges of college lectures with a wide range of listening, speaking, and note-taking strategies and skills. The lectures are drawn from a range of academic disciplines and reflect authentic lecture settings, featuring engaging instructors and live student audiences.

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Sixteen-year-old Crystal knows she's blessed. She is drop-dead gorgeous and in the beginning stages of a glamorous career as a model in New York City. At first, modeling is exciting. But soon, her life becomes less and less about her, and more and more about her body. Crystal wonders if her new life is worth giving up everything -- her friends, her beliefs, and her self-respect.

• Sales Rank: #1363334 in Books
• Brand: Myers, Walter Dean
• Published on: 2002-05-07
• Released on: 2002-05-07
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x .52" w x 4.19" l, .24 pounds
• Binding: Mass Market Paperback
• 208 pages

From Publishers Weekly
Myers penetrates the modeling world in this tale of a 16-year-old professional model living in New York City, first published in 1987, who learns some tough truths about what it takes. Ages 12-up.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 8-12 At 16, Crystal Brown is en route to stardom as a black fashion model. The world of money, glamour, fame, and celebrities excites and disturbs her. Her career demands increasing time away from family, friends, school, and normal adolescent concerns. As a model, Crystal confronts a temperamental photographer, sexual pressures, and a demanding agent. While Crystal's mother vicariously craves her daughter's success, her father's pride is tempered with protectiveness. In the end, Crystal is shocked into a career decision by the suicide of a once marketable model friend. In Crystal, Myers has created a beautiful but believable teenage heroine who makes a stand for personal integrity in a competitive world. Although certain characters and situations fulfill modeling world stereotypes, Myers' knack for vivid description and dialogue shatters many illusions of stardom. Adolescents who dream of modeling and who may envy Crystal's natural gifts will find in her forthright story certain realities that are often ignored. Gerry Larson, Chewning Junior High School, Durham, N.C.
Copyright 1987 Reed Business Information, Inc.

About the Author

Walter Dean Myers was the New York Times bestselling author of Monster, the winner of the first Michael L. Printz Award; a former National Ambassador for Young People's Literature; and an inaugural NYC Literary Honoree. Myers received every single major award in the field of children's literature. He was the author of two Newbery Honor Books and six Coretta Scott King Awardees. He was the recipient of the Margaret A. Edwards Award for lifetime achievement in writing for young adults, a three-time National Book Award Finalist, as well as the first-ever recipient of the Coretta Scott King–Virginia Hamilton Award for Lifetime Achievement.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Story line was a little weak. I expected a ...
By T. Mccray
Story line was a little weak. I expected a little more from this author. His other books have been much stronger.

4 of 4 people found the following review helpful.
::Crystal::
By MiSs TS
Crystal is 16-year-old girl who has the begging stage of a modeling carrier, in her hometown New York. At first modeling is exciting for Crystal but soon it becomes less about her and more about her body/appearances. When her friend Rowena goes to the hospital over stress and trying to kill her self, Crystal realizes modeling is hard work and not fun and games. Especially when she has a big movie deal with the famous movie writer, Joe Sidney, he tries to get in her pants and make her do things she doesn't want to do, like change her name. Crystal also has the pressure to model from her mom, who could have been a model too but never through with her aspirations, and her dad, who wants Crystal to experience different things but also make a good living.

This book had allot of different conflicts but the only thing that really irritated me was that they wouldn't say the problem was resolved or something else happened you would just have to keep reading and figure it in the next chapter, which was very frustrating but kept me reading!

I thought this book was well written and had a very good plot line. When the plot line got stared it seemed like it would be predictable and the more you read it wouldn't go as predictable as you would think. I also think this was a good book because it showed a different side of modeling and its not all about the glamour and being famous. It made you think about the dark side of some models have to do. The only bad thing about the book was that the ending wasn't very interesting, it just basically wrapped of the book up and finished with a bad ending, I think the ending would have been okay if their was a sequel to Crystal that explained more about her decision and her life more.

1 of 1 people found the following review helpful.
Book Review
By Candice
The book Crystal, by Walter Dean Myers was a good book in my opinion. This book was a great acount of what life is like to be a teenage model in America. Crystal is a drop dead gorgeous African American fashion model in New York City with a big modeling career ahead of her. Crystal overcame many obstacles in this book. There was always pressure for her to stay thin, look beautiful, and date the right boys for publicity purposes. In this book, Crystal went on many photo shoots where the photographers criticized her and told her that they didnt think she was pretty enough, or that she was too dark. Crystal learned to balance her modeling career along with her education. This became stressful at times for Crystal because she would have photo shoots in the morning, then go directly to school until late. Crystal's mom was always pushing her to do more modeling because she was a model herself when she was younger but her career never went anywhere. Crystal's dad is very protective of his daughter because he knows that she is very beautiful and doesn't want her to date any guys. Her photographer and agent try to pressure her into taking more seductive photos and wear more seductive clothes for the photo shoots, but Crystal doesn't want to.

Crystal develops a strong friendship with a fellow model who she works with. Crystal's friend didn't take all of the pressures of modeling as well as Crystal did, because she didn't have any family or friends besides Crystal there for her. She ended up overdoseing on pills. Crystal visited her in the hospital with hopes that she would live.

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• Sales Rank: #11410309 in Books
• Published on: 1995
• Format: Import
• Original language: English
• Dimensions: 8.11" h x 1.11" w x 5.11" l,
• Binding: Paperback
• 256 pages

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Meet your dream plate and fall in love with a faster, friendlier approach to printmaking.

For artists and crafters who love the creative possibilities of monoprinting on gelatin but not the prep time, mess and inconvenience that comes with it, the Gelli Arts Gel Printing Plate is a dream come true! It's durable, reusable, stored at room temperature, and ready to get creative whenever you are. Simply apply paint with a soft rubber brayer, make your marks and pull your print. It's that simple! Wipe the plate down with a spritz of water and a paper towel, and you're ready to go again.

In this premier guide, artist Joan Bess--inventor of the concept for the Gelli plate--unleashes the fun through more than 50 step-by-step techniques. Create intriguing patterns using tools like sponges, textured rollers and homemade combs. Learn how to incorporate stencils and rubber stamps. Experiment with metallic paint, dimensional paint and gel medium. Become a texture-hunter, creating a wide world of effects using embossed papers, natural objects, rubber bands, lace, corrugated cardboard, metal tape, die cut letters...anything goes!

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Printmaking just got easier!

• Expert tips from the creator of the Gelli plate
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• 26-page gallery shows the many wonderful ways artists are incorporating Gelli printing into their work

• Sales Rank: #98733 in eBooks
• Published on: 2014-08-12
• Released on: 2014-08-12
• Format: Kindle eBook

About the Author

Joan Bess has a Bachelor of Science in Education, University of Hartford. She launched Emerald City Stamps and has taught mixed-media techniques at the Newark Museum and The Book Arts Roundtable in NJ. Joan invented the concept for the Gel Printing Plate and is co-owner of GelliArts.

Most helpful customer reviews

50 of 53 people found the following review helpful.
Little disappointing
By EssieJane
So - I have had my Gelli plate a couple of years and it is very addictive and I love it so pre-ordered this book with excitement. I am a bit disappointed though...while the book is well written, clearly laid out with great photos and step by steps, there wasn't much in it that I hadn't seen already online - particularly on the Gelli Arts blog and facebook pages. If you are new to Gelli plate printing this is a great way of getting loads of ideas all in one place, and if experienced gelliplaters want a technique collection too then I recommend this book, but don't expect any mind blowing new techniques. There is also a beautiful gallery of artists work - but again I found this a little frustrating as there were no explanations as to how the pieces were created, if I'd wanted a book of art I would have bought one - I wanted a book that was going to teach me lots of new stuff but unfortunately this wasn't it.

13 of 13 people found the following review helpful.
Must Have for Gelli Plate Printing
By L. Chin
Joan Bess does a fabulous job introducing the reader to the addiction, oops - world, of Gelli printing. The book covers many many techniques and opens up the world of monoprinting. If you have a Gelli Plate you should buy this book and if you are interested in mono printing of any kind you should also buy this book! I've made my own gelatin plates and done monoprinting on acrylic and nothing is a good as doing it on a Gelli Plate.

21 of 24 people found the following review helpful.
Great ideas for using your Gelli Plate
By FAITH A JONES
Some of the information in this book can be easily accessed in tutorials and blogs online but some of the techniques are new and innovative. This book is great for someone just beginning to experiment with mixed media but not a huge ammount of information here for very experienced artists. The gelli plate is lots of fun and the techniques in this book further expands the uses for it. ****This review has been revised from my original comments******

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[W653.Ebook] Download Ebook Critical Modernism: Where is Post-Modernism Going? What is Post-Modernism?, by Charles Jencks

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After developing for thirty years as a movement in the arts, after being disputed and celebrated, Post-Modernism has become an integral part of the cultural landscape. In this witty overview, Charles Jencks, the first to write a book defining the subject, argues that the movement is one more reaction from within modernism critical of its shortcomings. The unintended consequences of modernisation, such as the terrorist debacle and global warming, are typical issues motivating a Critical Modern response today. In a unique analysis, using many explanatory diagrams and graphs, he reveals the evolutionary, social and economic forces of this new stage of global civilisation. Critical Modernism emerges at two levels. As an underground movement, it is the fact that many modernisms compete, quarrel and criticise each other as they seek to become dominant. Secondly, when so many of these movements follow each other today in quick succession, they may reach a ‘critical mass,’ a Modernism2, and become a conscious tradition.

• Sales Rank: #2740987 in Books
• Published on: 2007-05-07
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x .62" w x 7.60" l, 1.75 pounds
• Binding: Paperback
• 240 pages

Review
"The post man still delivers" (Building Design, April 2007)

"Thirty years on from the publication of The Language of Post-Modern Architecture, its author explains why we're all modernists now." (BDonline, April 2007)

"Charles Jencks has revamped his seminal tome on postmodernism". (Icon Magazine, June 2007)

From the Back Cover
After developing for thirty years as a movement in the arts, after being disputed and celebrated, Post-Modernism has become an integral part of the cultural landscape. In this witty overview, Charles Jencks, the first to write a book defining the subject, argues that the movement is one more reaction from within modernism critical of its shortcomings. The unintended consequences of modernisation, such as the terrorist debacle and global warming, are typical issues motivating Critical Modernism today. In a unique analysis, using many explanatory diagrams and graphs, he reveals the evolutionary, social and economic forces of this new stage of global civilisation. Critical Modernism emerges at two levels. As an underground movement, it is the fact that many modernisms compete, quarrel and criticise each other as they seek to become dominant. Secondly, when so many of these movements follow each other today in quick succession, they may reach a 'critical mass,' a Modernism2, and become a conscious tradition.

About the Author
 Simon Jenkins, Journalist and Author: ‘After 200 years of hyperactive and sometimes disastrous adolescence, Modernism finally may be growing up and coming to terms with its own problems. In this challenging work Jencks shows why, and what it may look like.’

 Ian Buruma, Author and Henry R Luce Professor at Bard College: ‘Charles Jencks does not necessarily court your agreement; he wants you to think, and then think again. He is an enemy of received opinions and sloppy clichés. That is what makes his latest book so provocative and such a delight to read.’

 Felipe Fernandez Armesto, Professor of History, Tufts University: ‘Charles Jencks never stops refreshing our minds. Now – on a subject on which his previous work seemed insuperable – he breaks new ground. He redefines postmodernism’s place in modernity and, with his usual wit, clarity and fluency, he explains how and why the grandest of grand narratives – our integrated history of the universe – survives and thrives.’

 Rem Koolhaas, Architect and Author: ‘That Critical Modernism is a tautology turned into an oxymoron is perhaps its greatest strength: as Jencks argues, the critical and the modern certainly need each other.’

 

Most helpful customer reviews

0 of 1 people found the following review helpful.
pretty good and pretty complex
By Jiaqi Xu
Just want to buy one book to learn. It is a hard book but I have got a lot from it.

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[S459.Ebook] Free PDF O5130 - Trombonisms, by Alan Raph Bill Watrous

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About Trombonisms
(An Extension of Standard Trombone Technique and an Introduction to Some New Ones). By Alan Raph Bill Watrous. For Tenor. Classical. Student Book. Standard notation.

• Sales Rank: #1168761 in Books
• Published on: 1983-06-01
• Original language: English
• Dimensions: 12.00" h x 9.25" w x .25" l,
• Binding: Paperback
• 47 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wonderful Insight into One of the Greatest Trombonists in History
By Kevin
Bill Watrous is, quite simply, among the greatest Jazz trombonists in history. The study of his lifetime of work is essential to any student of the trombone, and this book is one of the best, if not the best, source for understanding the theoreticical backbone of how (and why) he does what he does.

As some other reviewers have mentioned, in the beginning of the book Watrous and Raph indicate that this is for the advanced or professional player. I have found this to be partially true in the sense that most of the book covers concepts that a player could spend all their lives trying to master and never quite perfect, however, I do believe that being introduced to these concepts as a novice is uniformly a good thing. I received this book during my sophomore year in high school and I was able to use some of the concepts in it to improve both my technical mastery of the horn, as well as my vocabulary as an improviser.

What I will caution, however, is that this is not a "how to" manual. Instead, it is more like a masterclass on what Watrous thinks about when he is playing and how he practices at home. In this way, parts of the book read more like Watrous's philosophy on trombone than they look like exercises to practice. In this book's case, I think that is a good thing, as exercises can sometimes fail to capture the full scope of what someone does and why they do it.

Overall, very good book, but prepare to approach it months and years at a time, not days or weeks.

2 of 2 people found the following review helpful.
Excellent exercises from two masters of the trombone
By Thomas Boates
I owned this book many years ago and I'm glad I found another copy. Excellent material for flexibility and the technique of "fretting" on the trombone. Also excellent upper register stuff as well.

26 of 26 people found the following review helpful.
Trombonisms: A high-level overview of modern technique
By A Customer
Watrous' book provides an overview of several trombone techniques for the modern player. He touches on playing fast, alternate slide positions, using overtones to develop both diatonic and chordal lines, playing high notes, and multi-phonics. All of these are techniques where Bill Watrous is the undisputed king!
Even though the forward of the book indicates that the information is geared toward the advanced or professional player, most players posessing reasonable ability will have already encountered and have some facility with these techniques. I would have also preferred to see more musical examples of each of the techniques. Often there may be 3 or 4 examples of the topic, followed by a challenge to the reader to come up with his own examples and practice them in all 12 keys. As such, each topic is covered in only about 2 pages, making the book relatively small. Also, there is a recording included of Bill playing the provided examples, but it is an old-fashioned, flimsy-style record. I haven't had a turn-table in 10 years, so I doubt I'll ever listen to it!
All in all, though, the book does provide some insight to how Watrous approaches his technical playing, and did provide some tips about the techniques that I had not previously thought of. I also liked how the text is presented in a positive style, implying that if you follow the examples listed and practice often, you will be able to master the technique. Still, though, I have no dilusions of ever sounding like Bill Watrous!
I would recommend the book to any player wishing to increase technical skills on the slide trombone, but be prepared more for an overview and less of an in-depth tutorial.

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