Rabu, 30 Mei 2012

[D740.Ebook] Ebook The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson

Ebook The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson

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The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson

The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson



The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson

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The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger, by Marc Levinson

In April 1956, a refitted oil tanker carried fifty-eight shipping containers from Newark to Houston. From that modest beginning, container shipping developed into a huge industry that made the boom in global trade possible. The Box tells the dramatic story of the container's creation, the decade of struggle before it was widely adopted, and the sweeping economic consequences of the sharp fall in transportation costs that containerization brought about.

But the container didn't just happen. Its adoption required huge sums of money, both from private investors and from ports that aspired to be on the leading edge of a new technology. It required years of high-stakes bargaining with two of the titans of organized labor, Harry Bridges and Teddy Gleason, as well as delicate negotiations on standards that made it possible for almost any container to travel on any truck or train or ship. Ultimately, it took McLean's success in supplying U.S. forces in Vietnam to persuade the world of the container's potential.

Drawing on previously neglected sources, economist Marc Levinson shows how the container transformed economic geography, devastating traditional ports such as New York and London and fueling the growth of previously obscure ones, such as Oakland. By making shipping so cheap that industry could locate factories far from its customers, the container paved the way for Asia to become the world's workshop and brought consumers a previously unimaginable variety of low-cost products from around the globe.

Published in hardcover on the fiftieth anniversary of the first container voyage, this is the first comprehensive history of the shipping container. Now with a new chapter, The Box tells the dramatic story of how the drive and imagination of an iconoclastic entrepreneur turned containerization from an impractical idea into a phenomenon that transformed economic geography, slashed transportation costs, and made the boom in global trade possible.

  • Sales Rank: #114500 in eBooks
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Format: Kindle eBook

Review
Winner of the 2007 Anderson Medal, Society for Nautical Research

Winner of the 2007 Bronze Medal in Finance/Investment/Economics, Independent Publisher Book Awards

Shortlisted for the 2006 Financial Times/Goldman Sachs Business Book of the Year

Honorable Mention for the 2006 John Lyman Book Award, Science and Technology category, North American Society for Ocean History

One of Financial Times (FT.com) Best Business Books of 2013 (chosen by guest critic Bill Gates, Chairman of Microsoft)

"One of the most significant, yet least noticed, economic developments of the last few decades [was] the transformation of international shipping. . . . The idea of containerization was simple: to move trailer-size loads of goods seamlessly among trucks, trains and ships, without breaking bulk. . . . Along the way, even the most foresighted people made mistakes and lost millions. . . . [A] classic tale of trial and error, and of creative destruction."--Virginia Postrel, The New York Times [See full review http://bit.do/Box-NYT-Postrel]

"Marc Levinson's concern is business history on a grand scale. He tells a moral tale. There are villains ... and there is one larger than life hero: Malcom McLean. . . . Levinson has produced a fascinating exposition of the romance of the steel container. I'll never look at a truck in the same way again."--Howard Davies, The Times (UK)

"Like much of today's international cargo, Marc Levinson's The Box arrives 'just in time.'. . . It is a tribute to the box itself that far-off places matter so much to us now: It has eased trade, sped up delivery, lowered prices and widened the offering of goods everywhere. Not bad for something so simple and self-contained."--Tim W. Ferguson, The Wall Street Journal

"[A] smart, engaging book. . . . Mr. Levinson makes a persuasive case that the container has been woefully underappreciated. . . . [T]he story he tells is that of a classic disruptive technology: the world worked in one fashion before the container came onto the scene, and in a completely different fashion after it took hold."--Joe Nocera, The New York Times [See full review http://bit.do/Box-NYT-Nocera]

"By artfully weaving together the nuts and bolts of what happened at which port with the grand sweep of economic history, Levinson has produced a marvelous read for anyone who cares about how the interconnected world economy came to be."--Neil Irwin, Washington Post

"Mr Levinson. . . . makes a strong case that it was McLean's thinking that led to modern-day containerisation. It altered the economics of shipping and with that the flow of world trade. Without the container, there would be no globalization."--The Economist [See full review http://bit.do/Box-Economist]

"A fascinating new book. . . . [I]t shows vividly how resistance to technological change caused shipping movements to migrate away from the Hudson river to other East Coast ports."--Management Today [See full review http://bit.do/Box-MT]

"Marc Levinson's The Box . . . illustrates clearly how great risks are taken by entrepreneurs when entrenched interests and government regulators conspire against them. Even after these opponents are dispatched, technological and economic uncertainty plague the entrepreneur just as much as the vaunted 'first-mover advantage' blesses him, perhaps more. The story of the shipping container is the story of the opponents of innovation."--Chris Berg, Institute of Public Affairs Review

"International trade . . . owes its exponential growth to something utterly ordinary and overlooked, says author Marc Levinson: the metal shipping container.... The Box makes a strong argument. . . . Levinson . . . spins yarns of the men who fought to retain the old On the Waterfront ways and of those who made the box ubiquitous."--Michael Arndt, BusinessWeek [See full review http://bit.do/Box-BW-Arndt]

"[An] enlightening new history. . . . [The shipping container] was the real-world equivalent of the Internet revolution."--Justin Fox, Fortune [See full review http://bit.do/Box-Fortune-Fox]

"Marc Levinson's The Box is . . . broad-ranging and . . . readable. It describes not just the amazing course of the container-ship phenomenon but the turmoil of human affairs in its wake."--Bob Simmons, The Seattle Times [See full review http://bit.do/Box-ST-Simmons]

"Author and economist Marc Levinson recounts the little-known story of how the humble shipping container has revolutionized world commerce. He tells his tale using just the right blend of hard economic data and human interest. . . . Mr. Levinson's elegant weave of transportation economics, innovation, and geography is economic history at its accessible best."--David K. Hurst, Strategy + Business [See full review http://bit.do/TheBox-Strategy-Hurst]

"The Box is . . . an engrossing read. . . . The book is well-written, with detailed notes and an index. I found it absorbing and informative from the first page."--Graham Williams, Sydney Morning Herald

"This well-researched and highly readable book about the ubiquitous containers that carry so much of the world's freight will no doubt surprise most readers with its description of the immensity of the impact this simple rectangular steel box has had on global and regional economics, employment, labor relations, and the environment. . . . The Box makes for an excellent primer on innovation, risk taking, and strategic thinking. It's also a thoroughly good read."--Craig B. Grossgart, Taiwan Business Topics

"The ubiquitous shipping container . . . as Mark Levinson's multilayered study shows . . . has transformed the global economy."--The Australian

"Here's another item we see every day that had a revolutionary effect. The shipping container didn't just rearrange the shipping industry, or make winners of some ports (Seattle and Tacoma among them). It changed the dynamics and economics of where goods are made and shipped to."--Bill Virgin, Seattle Post-Intelligencer

"Excellent."--J Bradford DeLong, The Edge Financial Daily

"An engrossing read. . . . The book is well written, with detailed notes and an index. I found it absorbing and informative from the first page."--Sydney Morning Herald

"A fascinating history of the shipping container."--Richard N. Cooper, Foreign Affairs [See full review http://bit.do/TheBox-FE-Cooper]

"For sheer originality . . . [this book] by Marc Levinson, is hard to beat. The Box explains how the modern era of globalization was made possible, not by politicians agreeing to cut trade tariffs and quotas, but by the humble shipping container."--David Smith, The Sunday Times (London)

"Ingenious analysis of the phenomenon of containerism."--Stefan Stern, Financial Times [See full review http://bit.do/TheBox-FT-Stern]

"This is a smoothly written history of the ocean shipping container. . . . Marc Levinson turns it into a fascinating economic history of the last 50 years that helps us to understand globalization and industrial growth in North America."--Harvey Schachter, Globe and Mail

"This is an ingenious analysis of containerization--a process that, Levinson argues, in fact made globalization possible."--Business Voice

"Using a blend of hard economic data and financial projections, combined with human interest, Levinson manages to provide insights into a revolution that changed transport forever and transformed world trade."--Leon Gettler, The Age [See full review http://bit.do/TheBox-Age-Gettler]

"There is much to like about Marc Levinson's recent book, The Box. . . . Levinson uses rich detail, a combination of archival and anecdotal data to build his story, and is constantly moving across levels of observation. . . . And the story of the box is a very good read."--Administrative Science Quarterly

"A lively and entertaining history of the shipping container. . . . The Box does a fine job of demonstrating how exciting the container industry is, and how much economists stand to lose by ignoring it."--William Sjostrom, EH.Net [See full review http://bit.do/TheBox-EH-Sjostrom]

"The Box is highly recommended for anyone with an interest in understanding the emergence of our contemporary 'globalized' world economy."--Pierre Desrochers, Independent Review [See full review http://bit.do/TheBox-IndReview-Desrochers]

"[T]he insights the book provides make it a worthwhile read for anyone interested in how international trade in goods has evolved over the last 50 years."--Meredith A. Crowley, World Trade Review

"The Box reveals the subject to be interesting and powerful, shedding light on all kinds of issues, from the role of trade unions to the Vietnam War."--NUMAST Telegraph

"A perfect illustration of how an idiosyncratic entrepreneur brings something new into the world, and a wonderful example of how business history can be made to sing."--David Warsh, Economic Principals Blog

From the Back Cover

"The continuous decline of ocean shipping costs in the last 40 years is rarely credited for the growth of global trade in contemporary literature. Don't miss this amazing history."--George Stalk, Boston Consulting Group and author of Surviving the China Riptide

"An excellent piece of work."--Bruce Nelson, Dartmouth College

"This book is dynamite. The experts who tell you the transistor and microchips changed the world are off base. The ugly, unglamorous, little-noticed shipping container has changed the world. Without it, there would be no globalization, no Wal-Mart, maybe even no high-tech. And what looks like low-tech is in fact a breathtaking technological innovation. Marc Levinson's sparkling and authoritative story is great fun to read, but it is spectacular economic history as well."--Peter L. Bernstein, author of Against the Gods: The Remarkable Story of Risk

"Fascinating, informative, wonderfully historicized. This is a terrific untold story."--Nelson Lichtenstein, University of California, Santa Barbara, and editor of Wal-Mart: the Face of Twenty-First Century Capitalism

"The adoption of the modern shipping container may be a close second to the Internet in the way it has changed our lives. It has made products from every corner of the world commonplace and accessible everywhere. It has dramatically cut the cost of transportation and thereby made outsourcing a significant issue. It has transformed the world's port cities, and more. This book, very nicely written, makes a fascinating set of true stories of an apparently mundane subject, and dramatically illustrates how simple innovations can transform our lives."--William Baumol, Director, Berkley Center for Entrepreneurial Studies, author of The Free-Market Innovation Machine

"In the second half of the twentieth century, an innovation came along that would transform the way the world did business. . . . I'm not talking about software. I'm talking about the shipping industry, and in particular an innovation you might not have thought much about: the shipping container. It is the subject of an excellent book I read this summer called The Box. . . . The story of this transition is fascinating and reason enough to read the book. But in subtle ways The Box also challenges commonly held views about business and the role of innovation."--Bill Gates, Gatesnotes

About the Author
Marc Levinson is an economist in Washington, DC. He was formerly a senior fellow at the Council on Foreign Relations, an economist at a leading investment bank, and finance and economics editor at The Economist.

Most helpful customer reviews

273 of 281 people found the following review helpful.
Boxing in goods unleashes globalization: The world is not flat
By Peter Lorenzi
In "On the waterfront," perhaps the saddest point of the film is where Fr. Barry eulogizes K. O. Duggan, killed off by the mob. But Marc Levinson has located a larger villain, the real force that killed off so many longshoremen's careers: the standardized shipping container. While a highly trained crane operator working today's docks earns $120,000 a year, their numbers are few and few of them are former longshoremen or sons of longshoremen. And cargo handling costs have dropped over 90%. Yet this is only the start. The shipping container reduced spoilage, theft, insurance costs, delays, and the entire cost of going global.

Levinson's well-researched treatment of a seemingly pedestrian subject works effectively to show that the world is not flat. The original dust cover of Friedman's best-selling book shows a tall-masted ship going over the edge of the 'flat' earth, confirming flat earth society members' discarded beliefs but distorting and mischaracterizing globalization. Levinson's rich, detailed, data-filled work shows the stark difference between Levinson's work with The Economist and Friedman's with The New York Times. Levinson uses a thorough, comprehensive economic and technological analysis, while Friedman flies around the world with a consistent "gee whiz" attitude of surprise. Levinson traces multitudes of disparate events and finds common links where Friedman finds common links and illustrates them with cursory events. Levinson is an economist; Friedman is a journalist. Friedman mixes metaphors and hyperbole; Levinson mixes in a wide range of colorful characters and challenges. Levinson is an editor; Friedman needs one. People who want to understand the recent history, impetus and infrastructure of globalization need to read "The box."

Fifty years ago, maverick southern trucker Malcolm McLean devised a method for a quantum leap forward in the handling of cargo in transit. At that time, the process of loading and offloading of ships had not changed much in hundreds of years. Loose cargo, irregular, unpredictable and back-breaking work, light-fingered workers, corrupt stevedores, poor management, and mob-controlled unions were the order of the day and most orders changed on a daily basis. The workers probably suffered the most, but the hidden impact on global trade was severe as well. Some small and expensive products -- whiskey, watches -- could not be shipped reliably and safely when subject to massive pilferage. While containers started as a domestic solution, their global use worked miracles in reducing the costs of getting products thousands of miles, and not just on what came to be huge, fast new ocean sailing ships. Railroads and truckers participated in this transformation. Markets opened up. Ports like Felixstowe (England) and Singapore emerged rapidly, displacing older, intransigent ports. Military shipping in containers from America's west coast for the Vietnam War made return trips with stop offs in Japan a cheap, added source of shipping revenue. Cheap-to-ship Japanese products flooded America. Ports sprung up where investors and governments were willing to build cranes, re-build docks and dredge canals. Corrupt, inefficient labor could be bypassed and eliminated, no matter how powerful the union or onerous the contracts. Free trade multiplied.

Sometimes global revolutionary change is not sexy. It's not even computer-driven. Maybe the computer chip spurred globalization, but it was the container ship that made it possible. The idea is to make trade fast, reliable and inexpensive, not just to make the world flat. Containers are like computer chips; they hold lots of stuff in a well-organized fashion. Without the containers, the global transportation network would be running much slower and more costly than it does today. Levinson catalogs a history of shadowy billionaires, entrepreneurs, and a few enlightened governments (the demise of London and New York City ports under much less enlightened leaders is especially painful) that produced a true global revolution. This book is a greater tale of globalization.

I only wish Levinson had included some photographs and more drawings. Some of the technical and industry-specific language can be dry and hard to visualize through verbal descriptions alone.

64 of 67 people found the following review helpful.
The shipping container and W. W. Rostow's Stages theory
By E. Husman
The first thing that struck me about the impact of the shipping container was the public policy impact on it. Before the shipping container, shipping, trucking, and railroading were heavily regulated by the ICC. Rates were set not only according to weight and distance, but also according to contents. Thus, the cost of shipping 1000 pounds of tires would be different than, say, 1000 pounds of grain, and not just because of density differences. This apparently goes back to the complaints made by shippers in the late 19th century, and made sense to regulators in that era. Also, prior to the container, shippers were allowed to charge less than truckers because ships took longer. So if a ship already had a stated rate for, say, wheat, between two ports, truckers were not allowed to charge less (or something like that - Levinson didn't attempt to explain the intricacies of ICC regulation). Further, shipping between American ports was restricted to American flagged ships, and international shipping was heavily regulated and subsidized - to qualify for the subsidy, you had to use American built ships, and the subsidy supposedly helped make up for the more expensive American crew. One final government involvement in the era just prior to the shipping container's introduction: many of the ships currently in use in 1956 were WWII surplus ships, built on the cheap and available for next to nothing. It was relatively easy to get into the business, as very little capital was required, and ships could ply from port to port picking up freight as they went.

Enter the shipping container, 1956.

But wait: the container requires different infrastructure. The story of the shipping container is also the story of ports where governments chose to support the companies investing in the container. In New York City, the story is governed by the decisions of the Port of New York Authority (now the Port Authority of New York), which was looking to expand its bureaucratic territory. The piers on the New York side had all the business they could want and politicians to defend that turf. The only reason they remained viable was the fact that the ICC required railroads to charge the same for freight delivered on either side of the port, in effect a requirement to throw in the trans-Hudson part of the journey for free. That was not trivial, since it involved either removing freight from trains and loading it on barges, crossing, and then re-loading into warehouses to wait for a ship.

Much of the history revolves around boy genius Malcom (not Malcolm, he dropped the second l to differentiate from his father) McLean, who started in the trucking business. Shipping something from a factory via truck to a railroad and then (via truck again) to a port, loading it on a ship, and reversing the process at the far end cost plenty. It cost time in transit, storage, and management; it cost labor at each change of mode; it was extremely expensive because of pilferage and breakage because of the frequent handling and the subsequent insurance; and of course the shipping cost money. Malcom realized the problem and the potential money to be made from rationalizing the shipping process.

The first container ships required their own cranes because standard dock cranes were not capable of lifting the containers, much less taking advantage of their standardization and the potential savings in ship loading times. Thereafter, however, the cranes became part of the port infrastructure, along with rail sidings, truck terminals, deeper and wider ports, and computer controls. The industry, in other words, became more capital intensive, and some of that capital came from state and local governments. Those who made the commitment, such as the Port Authority in New Jersey and Port Elizabeth, became the winners, while those who didn't, such as New York City, did not.

The government did not only take sides in the wars between technologies and shipping companies. As it became clear that automation was going to cost not only cushy jobs, but real ones too, the various unions found themselves at odds not only with shippers, but with governments as well. The City of Los Angeles chose sides when longshoreman at first refused to unload Matson's shipping container ships; the city threatened to take over the port and make their jobs civil service, prevented by law from striking. The Federal government stepped in repeatedly on the side of shippers against the East Coast union strikes. Eventually, the Longshoreman's unions on both coasts struck deals with shippers, trading generous contributions to retirement and unemployment funds in return for acceptance of the technology and more productive work rules. I'm not sure which side I come down on in that dispute: yes, there were aspects of the trade that sound cushy, such as rules that allowed each of the two teams working a ship to take a half day off with pay, and the day laborer aspect meant that senior union members could work or take the day off as they desired. On the other hand, the corrupt day labor culture enabled organized crime and allowed rampant pilferage to persist, not to mention the fact that jobs were described as incredibly dangerous and literally back breaking. In the old paradigm, workers had to live in slums near the docks to make themselves available; today, the crane operators are guaranteed a regular 40-hour-per-week job, and can afford to live anywhere, but have to get permission to take off. In any event, government was neither impartial referee nor friend of labor in these struggles.

So this ends up being a very complex story in which government starts out standing against change in the status quo that had persisted since roughly the 1920s, and then steps in to tip the playing field toward the shipping container. Levinson argues that the shipping container may not have been the only factor, but it certainly was *a* factor in accelerating the globalization of the economy. Before the shipping container, it was extraordinarily expensive to ship anything overseas; today, it may be less expensive to ship goods overseas by rail and ship than across the state by truck. Remove time and distance as factors or advantages, and suddenly labor costs become the more important factor.

Two final factors radically altered the trajectory of shipping. The first was Viet Nam. The Army suddenly found itself in a situation where it needed lots of supplies shipped in to a place with no infrastructure or railroads. McLean was the man on the spot, winning the contract by offering to build all of the necessary port infrastructure. The remarkable increase in efficiency forced the federal government into the pro-container camp, but also had an unexpected effect. With the Army picking up the ship's entire journey, westbound and eastbound, but only shipping freight west, this left Malcom with a *pure* profit opportunity: ships returning from Asia in the late 1960s with no cargo. A stop in Japan for loads of televisions and automobiles solved that "problem". Incidentally, by rationalizing shipping by making it predictable and fast, the container contributed to the development of the inventory-free manufacturing method of Just In Time.

The other final factor was the phasing out of the WWII surplus ships and the phasing in of dedicated container ships in the middle of the first oil embargo era. The shipping industry thus completed the transition from labor-intensive to capital-intensive. The enormous ships, some of which no longer fit in the Panama Canal, have to keep moving just to keep paying for their own financing. The cost of shipping plummeted, and the size of ships continues to expand. The Molucca Straits have overtaken the Panama Canal as the limiting factor on size.

Because of the plummet in shipping costs, the resulting increase in dependence on shipping, the pressures of the oil embargoes, and the changes in finance and capital requirements, the shipping industries were "deregulated" in the late 1970s. That deregulation was, of course, not complete. Levinson notes some exceptions, and I found that some of the rules were still in effect when I tried to ship something to Hawai'i a few years back.

Marc Levinson cites W. W. Rostow's "Stages of Development" argument early in the book regarding the importance of the railroad to American and English development, noting that the container is a modern equivalent in global development. Rostow in fact made two claims: one, that the railroad was essential, and two, that government investments were also crucial. Levinson's history of the shipping container would seem to support Rostow's claim. Many of the Asian Tiger economies - Japan, South Korea, Hong Kong, Singapore - invested heavily in port infrastructure to bring the shipping container to their shores; they were literal cargo cults. To the extent that it worked, they have reaped the benefits.

But Levinson provides some counterexamples. England adapted to the shipping container very poorly, and to the extent that they did, it was because of a private port at Felixstowe; England has arguably done quite well for itself in the past 30 years despite missing both of the Rostovian requirements. Further, much of the investment in American ports was private, though government has also played a role. Finally, the Rostow argument only makes sense when you accept that people are unequivocally better off when they adopt capital intensity. Yes, the increase in measurable wealth is notable, but I am curious about the intangibles and the change in quality of life, pace, direct control of one's life that result from acceptance of the modern.

This book hits somewhere in between detailed Fogelian economic history and story-telling, so I gave it 4 rather than 5 stars. It is certainly more accessible than a dry investigation of the numbers, but does manage to highlight many aspects of the technical, cultural, social, economic, and political issues at the nexus of which was The Box.

41 of 43 people found the following review helpful.
Deserves a wider audience than it will get
By Harry Eagar
It's hard now to imagine a world without marine shipping containers, but the first one was loaded onto a ship, the Ideal-X, just 50 years ago. Precisely, on April 26, 1956, in Newark, N.J.

It turned the world upside down. It probably had as much to do with the success of Waikiki as the jet airliner, introduced in 1960.

The story has a hero, Malcom McLean, and it plays out, for him and for many others, as tragedy.

In "The Box," Marc Levinson makes business history read like a novel. Well, almost.

Like many simple, everyday things, the shipping container is more complicated than it looks. Just how do you design a steel box that can hold 20 tons but also has to be picked up without being touched by human hands and moved from ship to truck in less than a minute?

McLean, a North Carolina boy who founded a trucking empire in the days of heavy regulation in order to save $3, took the plunger's approach. In the Pacific, Matson Navigation Co. was also interested in converting from expensive breakbulk cargo handling, but it took the systems approach.

McLean beat Matson by two years, but Matson is still around (as the principal subsidiary of Alexander & Baldwin Inc.), while McLean's SeaLand survives today only as a subsidiary (a very large one) of a Danish business that didn't exist until 1973.

McLean did not imagine he was going to restructure the world economy, but his idea did that, which is why this book deserves a wider audience than business histories usually get.

The container killed off New York and London as important shipping ports. New York City now handles only a little more cargo each year than Tanjung Pelepas, Malaysia, which did not exist in 1990. Most of Britain's international trade now moves through Felixstowe.

Since most of the cost of moving a container comes while it's passing through a port, shipping costs are not materially affected no matter how long the at-sea leg is made. Hence, globalization.

The cheap labor of China was always there, it just wasn't accessible before McLean.

Although "The Box" barely refers to Hawaii, it is an obvious conclusion that a resort like Waikiki, which imports nearly everything except aloha, could not have offered cheap vacations to middle class American families if ocean transportation costs had remained as high as they were in the '50s.

Besides different business approaches on the Atlantic and the Pacific coasts, the two oceans featured vastly different reactions by unions to the problem of adopting dock labor to containers.

In the Atlantic, the International Longshoreman's Association was antagonistic. The approach was suicidal, for its members and for their communities.

In the Pacific, commie bogeyman Harry Bridges forced conciliation on his reluctant membership, saving the International Longshoremen's and Warehousemen's Union and opening the gates to a boom in Southern California.

Bridges, long dead, remains a name that American rightwingers use to scare the children into good behavior. If Republicans understood economics, they'd have built a statue to him in every port (except San Francisco, which did not benefit from containers because of its awkward railroad connections) in western America and Canada.

Levinson, a one-time journalist, knows how to write a book that can be read with pleasure. And profit.

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Minggu, 27 Mei 2012

[S756.Ebook] Fee Download Jewish Interpretation of the Bible: Ancient and Contemporary, by Karin Hedner Zetterholm

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Jewish Interpretation of the Bible: Ancient and Contemporary, by Karin Hedner Zetterholm

Although Jewish tradition gives tremendous importance to the Hebrew Bible, from the beginning Jewish interpretation of those scriptures has been practiced with remarkable freedom. Karin Hedner Zetterholm offers a clear and concise introduction to the legal, theological, and historical presuppositions that shaped the dominant stream of rabbinic interpretation, including Mishnah, Talmud, and Midrashim, discussing specific examples of different interpretive methods. She then explores the contours of Jewish biblical interpretation evident in the New Testament and the legacy of ancient traditions in the way different Jewish movements read the Bible today.

  • Sales Rank: #961881 in Books
  • Published on: 2012-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .80 pounds
  • Binding: Paperback
  • 224 pages

Review
"This is a remarkable book, not only because it is thorough, clearly written, and focused, but because it speaks to the heart of what Jews and Christians need to understand about each other's tradition— namely, how each tradition intepreted and applied their common roots in different ways. Zetterholm shows how the Rabbinic tradition of nuanced and open intepretation of the Bible persists in different ways among Judaism's modern movements. I wish that every Jew and Christian would read this book!" --Elliot Dorff, American Jewish University

"In this masterful and nuanced survey, Karin Zetterhom argues that Judaism's ability to adapt to ever-changing circumstances can be traced to unique concepts and interpretative strategies developed in the period of the Talmudic rabbis —concepts and strategies that afforded a central place to human agency in the articulation of the divine law. Illustrating her arguments with numerous primary sources and drawing on the most recent scholarship, Zetterholm shows how this tradition of transformative Scriptural interpretation informed the early Jesus movement and— in a final chapter that vividly reminds us that much is at stake— how it continues to inform contemporary Jewish denominations struggling to balance fidelity to the past with adaptation to the present." --Christine Hayes, Yale University

About the Author
Karin Hedner Zetterholm is Research Fellow at the Swedish Research Counciland active at the Centre for Theology and Religious Studies at Lund University. She is the author of numerous articles on Judaism and Jewish biblical interpretation and of Portrait of a Villain: Laban the Aramean in Rabbinic Literature (2002).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Rebecca Runesson
Excellent introduction to the topic!

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Kamis, 24 Mei 2012

[R843.Ebook] PDF Download Pediatric Chiropractic, by Claudia A. Anrig DC, Gregory Plaugher DC

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Pediatric Chiropractic, by Claudia A. Anrig DC, Gregory Plaugher DC

Pediatric Chiropractic, Second edition is a comprehensive resource that covers a wide range of information on pediatric chiropractic care. An international panel of 42 experts contributed to this book. Among the many topics covered are: care during pregnancy and the perinatal period, subluxation, clinical and radiological examination, child abuse, adolescent health, spinal trauma, scoliosis, pediatric nutrition, vaccination issues, and full spine and cranial adjustments.  This reference carefully illustrates that the chiropractor is an appropriate and necessary provider of health care for children.

  • Sales Rank: #716980 in Books
  • Brand: Anrig, Claudia A./ Plaugher, Gregory
  • Published on: 2012-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.80" w x 8.60" l, 7.10 pounds
  • Binding: Hardcover
  • 912 pages
Features
  • Used Book in Good Condition

Review
 "This comprehensive overview of the growing field of chiropractic management of pediatric patients covers history and wellness, fundamentals, pregnancy, neurology, orthopedics, primary care, adolescent health, and specialized practices and techniques. An update of a book long used in chiropractic education, it adds a significant amount of new material."

"This edition is a significant change from the original, which was widely used in the chiropractic profession. Given the extensive growth related to pediatric chiropractic, it is long past due. It compares quite favorably to its sole competitor, "Chiropractic Pediatrics: A Clinical Handbook, 2nd edition, Davies and Fallon (Elsevier, 2010) (disclosure: I wrote the foreword for Dr. Davies' book)."  It will be eagerly anticipated by those who teach this discipline and should be embraced across the profession. It takes a more conservative approach than does the Davies book, but it fairly presents the material and the new sections are well considered and comprehensive."
  - Doody's Book Review (November 2012)
     Dana J Lawrence, DC, MMedEd, MA(Palmer College of Chiropractic)
     Weighted Numerical Score: 97 - 5 Stars!

  

Most helpful customer reviews

8 of 8 people found the following review helpful.
Pediatric Chiropractic
By Dr. Angela Hall
This second edition is superb! the new and updated information went beyond my expectations for advances in the field of pediatric chiropractic, neurology, safety issues, and adjusting. I highly recommend it!

4 of 4 people found the following review helpful.
A revolutionary presentation on the chiropractic approach to pediatric care!
By Dr. Scott Cuthbert
This textbook is an outstanding review of the rapidly expanding field of chiropractic pediatrics. A large population of parents are disturbed and frustrated by the contemporary medical management of functional childhood health problems (ear infections, immune system weaknesses, antibiotic-overuse, colic and bowel infirmities, scoliosis treatments, and the common head and neck, low back and hip, arm and leg pains so common in children). This book presents the finest offerings from the leaders in the chiropractic profession regarding the science of the management of childhood illnesses. The book comprehensively covers how to insightfully take a child's health history in order to more deeply understand the complete picture of the child upon examination. Thorough discussions of the issues regarding pregnancy -- its history and the meaning of the disturbances if there were problems -- are described in detail. Pediatric neurology and orthopedics are provided in detail, with excellent photographs and illustrations throughout. The chiropractic profession has developed specialized techniques for the treatment of specific and common pediatric problems which will make a great impression upon open-minded clinicians and researchers who work with childhood illness. The second edition of this textbook adds significant new information to the first edition, and at over 900 pages is as thorough as could be hoped for. The book has long been used in chiropractic education and by the International Chiropractic Pediatric Association, and I expect it will be used for decades by teachers of chiropractic pediatrics and will be embraced by most of the manipulative professions. A unique contribution in the field. Highly recommended!

by Scott Cuthbert, DC, author of Applied Kinesiology Essentials: The Missing Link in Health Care (2013), and Applied Kinesiology: Clinical Techniques for Lower Body Dysfunctions (2013).

4 of 4 people found the following review helpful.
Childs play it's not
By Kindle Customer
Having taught pediatrics in the past, I found this tome to be very thorough in its coverage of pediatrics in the chiropractic profession.
Dr. Anrig has put together a great team of authors and editors. I highly recommend this text

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Rabu, 23 Mei 2012

[D640.Ebook] Ebook THE SLANGMAN GUIDE TO STREET SPEAK 3: The Complete Course in American Slang & Idioms, by David Burke

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THE SLANGMAN GUIDE TO STREET SPEAK 3: The Complete Course in American Slang & Idioms, by David Burke

The Slangman Guide to STREET SPEAK 3 continues the book series with even more popular slang and idioms that will help you understand any American!

The 3rd book in the series introduces you to popular slang and idioms used in a variety of situations including dating — everything from the pick up (“beginning of a relationship”) to the break up (“end of a relationship”) and everything in between!

Once you learn all the slang used in dating, you’ll definitely know if someone is either hitting on (“flirting with”) you or just not into (“not interested in”) you!

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  • Emergency Situations
  • Television & Entertainment
  • Teens & Students (Jr. High through University)
  • Being Politically Correct
  • Sports (Popular Terms Used in Daily Conversations)
  • Foreign Words that Americans Use Every Day
  • Alliterations & Repeating Words
  • The Slangman Files — a special section in each chapter with slang & idioms used in categories

  • Sales Rank: #962522 in Books
  • Brand: Brand: Slangman Pub
  • Published on: 2016-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.04" h x .48" w x 8.44" l, 1.23 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Annmarie Handley
Fun teaching tool for adults and older kids.

2 of 2 people found the following review helpful.
Great even for advanced ELLs
By Perro Del Sol
I used this book and audio CD with some extremely advanced non-native speakers (Koreans who teach English as a foreign language in Korea) and they loved it. They found that they did not know 75% or more of the expressions in the book and they had a great time trying to incorporate the new language into their everyday conversations here in the U.S. Anyone who is a non-native speaker of English can benefit from this series.

7 of 8 people found the following review helpful.
Great book 4 ESL students
By Ray
This book really help me understand what is going on when I watch tv or something/ It is fun to learn those vivid slang expressions! I plan to buy all the slangman's serial 'cos I think

through that I can really understand the real English that cannot be taught in class. If you dont learn it on you own you will never get to learn the real English

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Senin, 21 Mei 2012

[G653.Ebook] PDF Ebook Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

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Development Through Life: A Psychosocial Approach, by Barbara M. Newman, Philip R. Newman

Newman and Newman use a chronological approach to present development across the life span, drawing on the psychosocial theory of Erik Erikson to provide a conceptual framework for the text. The authors address physical, intellectual, social, and emotional growth in all life stages, focusing on the idea that development results from the interdependence of these areas at every stage, and placing special emphasis on optimal development through life.

  • Sales Rank: #15576 in Books
  • Published on: 2014-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.30" w x 8.70" l, .0 pounds
  • Binding: Hardcover
  • 800 pages

About the Author
Barbara M. Newman (Ph.D., University of Michigan) is a professor in the Department of Human Development and Family Studies at the University of Rhode Island. She has also been on the faculty at Russell Sage College and The Ohio State University, where she served as department chair in Human Development and Family Science and as associate provost for Faculty Recruitment and Development. She teaches courses in life-span development, adolescence, family theories, and the research process. Also an active researcher, Dr. Newman's interests focus on parent-child relationships in early adolescence, factors that promote success in the transition to high school, and the use of the cohort sequential design as an approach to the study of development. Her research includes an analysis of the role of family, peer, and school support in the transition to high school (funded by the University of Rhode Island's Research Foundation). For fun, Newman enjoys reading, making up projects with her grandchildren, taking walks along Narragansett Bay and Block Island Sound, and spending time with her family.

Philip R. Newman (Ph.D., University of Michigan) is involved in research on the transition to high school as well as on group identity and alienation. His projects include an analysis of issues related to disrupted transitions in adolescence and early adulthood, and a book about how high schools can meet the psychosocial needs of adolescents. He has taught courses in introductory psychology, adolescence, social psychology, developmental psychology, counseling, and family, school, and community contexts for development. He served as the director for Research and Evaluation of the Young Scholars Program at The Ohio State University and as the director of the Human Behavior Curriculum Project for the American Psychological Association. He is a fellow of the American Psychological Association, the Society for the Psychological Study of Social Issues (SPSSI), and the American Orthopsychiatric Association. For fun, Newman enjoys photography, reading mysteries, attending concerts and Broadway plays, and watching baseball. He home schooled his three children through elementary and middle school. Together, the Newmans have worked on programs to bring low-income minority youths to college and to study the processes involved in their academic success. They are coauthors of 13 books, including a book on theories of human development, and numerous articles in the field of human development.

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3 of 3 people found the following review helpful.
Some stages needed better attention. Others were intuitively cared for somehow
By Bren Unti
While the writing style of this large volume of precious material is at times hard to parce, in all I found it to be filled with essential educational material on the stages of our lives. How tragic are some stories when no one who understands the stages is available to lessen the stresses and sorrows. Yet, how fulfilling it is to finish the book and then go back to review one's own stages. Some stages needed better attention. Others were intuitively cared for somehow.
Terrific work. A bit on toxic stress and trauma and attachment together---perhaps a few footnotes---could send a student on a great adventure. That said, there are a plethora of issues to delve into and no text can point to all cunning issues.
Good work. As a student, I thank the authors.

2 of 2 people found the following review helpful.
I don't usually rate text books because they are stupid expensive. I am in my masters program for ...
By T Hodges
I don't usually rate text books because they are stupid expensive. I am in my masters program for psychology, I have to say this book is the best Ive ever read it has a lot of really good info and is literally in order as children age and become elderly. This is one of the fewest books that I wish I bought and not rent

1 of 1 people found the following review helpful.
and while the information was useful, the writing was atrocious
By Thomas Christopher Walden
This was required reading for a class, and while the information was useful, the writing was atrocious. Repetitive, long-winded, very droll. I'm not expecting much from a textbook, which makes this that much worse. Paragraphs repeat themselves, concepts are explained and re-explained seemingly at random, and there were more than a few instances in which a concept would be employed, but not explained until much later in the chapter, leading to a sense of aimlessness and confusion.

It worked for the class, but I'm glad I don't own it.

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[K954.Ebook] Download PDF How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, by Elijah Wald

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How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, by Elijah Wald

"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hip hop.

As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times.

Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.

  • Sales Rank: #217060 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.00" w x 9.20" l, 1.04 pounds
  • Binding: Paperback
  • 336 pages

From Bookmarks Magazine
Revisiting original sources to understand how music has been received over the past century, Wald neatly traces the evolution of popular music. As with many books that set out to prove sensational claims in the title (the Christian Science Monitor calls the book's tag "blatantly disingenuous"), Wald's work doesn't really deliver on its claim (or, in fact, pay it a great deal of attention). But look past the title, and readers will discover that even when he's not being provocative, Wald can be thought-provoking, as in his profiles of lesser-known musicians and their influence on subsequent generations of musicians. Those pieces complement more mainstream -- and, in Wald's hands, refreshingly honest -- discussions of superstars and issues of race and gender. The result, despite the Los Angeles Times's sharp criticism of the thesis, is both passionate and informative.

Review

"I couldn't put it down. It nailed me to the wall, not bad for a grand sweeping in-depth exploration of American Music with not one mention of myself. Wald's book is suave, soulful, ebullient and will blow out your speakers."--Tom Waits


"Wald is a meticulous researcher, a graceful writer and a committed contrarian... an impressive accomplishment."--New York Times Book Review


"A complex, fascinating and long-overdue response to decades of industry-driven revisionism."--Jonny Whiteside, LA Weekly


"It's an ambitious project, but Wald's casual narrative style and eye for a juicy quote give it a lightness that even a novice to pop, rock, or jazz history can appreciate... The title is appropriate: This is a provocative book, in all the right ways."--The Onion AV Club


"Wald is a sharp, fair critic eager to right the record on popular music... deepens the appreciation of American popular music."--Boston Globe


"This is a debatable premise... you don't have to agree with it to admire this book... It is as an alternative, corrective history of American music that Wald's book is invaluable. It forces us to see that only by studying the good with the bad--and by seeing that the good and bad can't be pulled apart--can we truly grasp the greatness of our cultural legacy."-- Malcolm Jones, Newsweek


"A serious treatise on the history of recorded music, sifted through his filter as musician, scholar, and fan... It's a brave and original work that certainly delivers."-Christian Science Monitor


"A smart, inclusive celebration of mainstream stars, such as 1920s bandleader Paul Whiteman and the Fab Four, who introduced jazz, blues, and other roughhewn musical forms to mass audiences."--AARP Magazine


"A powerfully provocative look at popular music and its impact on America."--Dallas Morning News


"Elijah Wald is a treasure... There is far too much in these 300 pages to even summarize here. Wald is an economical and lucid writer with an amazing grasp of his subject. I know quite a lot of musical history, and I did not find a single clinker in this symphony of renewal and re-examination."--Winston-Salem Journal


"As catchy and compelling as a great pop single, this revisionist retelling is provocative, profound and utterly necessary... Clearly the product of years of passionate research, it's so rife with references and surprising anecdotes that it's potentially overwhelming, but Wald makes a superlative tour guide-- frank, funny and generous but judicious with his inclusions-- and his book is a beguiling, blasphemous breeze."--Philadelphia City Paper


"Elijah Wald's provocative, meticulously researched new book, How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, turns the stock rock-and-roll narratives on their head."--Very Short List


"Brilliant and provocative... the most challenging and head-clearing history of American popular music to be published in decades."--The Buffalo News


"Wald explains musical and recording techniques and sociological phenomena in an engaging style accessible to a wide range of readers. Throughout, he makes a compelling case for why the figures most historians have disregarded or footnoted need to be considered in order to understand the totality of American popular music. This is an ideal companion to the plethora of standard histories available. Highly recommended." --Library Journal starred review


"Wald's arguments are as nuanced as his scope is wide, which makes this a fascinating and useful volume--required reading for any fan of pop music."--Memphis Flyer


"Fascinating... It's hard to imagine any American music buff coming away from this book without a fresh perspective and an overwhelming desire to seek out Paul Whiteman CDs. Highly recommended."--San Jose Mercury News


"Wald's book may be the literary equivalent of revisionist Civil War histories which tell the war through the eyes of soldiers rather than the generals, for he highlights how consumers actually heard and experienced music over the years, whether as screaming teeny-boppers watching Dick Clark's Bandstand or swing afficionados dancing to Glenn Miller at the Roseland."--HistoryWire.com


"A subtle polemic, one that is fundamentally broad-minded and seeks to educate the reader on the rich legacy and development of American popular music, the music that spawned the Beatles and from which that group departed, for better and worse."--Brooklyn Rail


"Walds eminently readable book is a scholarly, provocative and opinionated account of the history of pop music from Sousa to the Stones, from genteel parlor piano recitals to arena rock spectacles."--Kansas City Star


"A bracing, inclusive look at the dramatic transformation in the way music was produced and listened to during the 20th century... One of those rare books that aims to upend received wisdom and actually succeeds."--Kirkus Reviews


"Some of the smartest historiography I've ever read. The examples and turns of phrase sometimes make me laugh out loud, and nearly every page overturns another outmoded assumption. Wald just calls it like he sees it and transforms everything as a result."--Susan McClary, MacArthur Fellow and author of Feminine Endings: Music, Gender, and Sexuality


"This is a ground-breaking book, a muscular revisionist account that will get people thinking quite differently about the history of pop music. I've learned much from it and admire the writing style that is so light on its feet, lucid and elegant."--Bernard Gendron, author of Between Montmartre and the Mudd Club: Popular Music and the Avant Garde


"Meticulously researched."--Bookforum.com


"A fascinating and scrupulous piece of pop scholarship...Tantalizing." --Paste Magazine


About the Author

Elijah Wald is a musician, writer and historian, whose books include Escaping the Delta: Robert Johnson and the Invention of the Blues; Narcocorrido, about the modern Mexican ballads of drug trafficking; The Mayor of MacDougal Street (with Dave Van Ronk), and Global Minstrels: Voices of World Music. He is currently teaching at UCLA, and contributing regular pieces to the Los Angeles Times. For more information, please visit www.elijahwald.com.

Most helpful customer reviews

60 of 60 people found the following review helpful.
Ignore the main title and focus on the sub-title
By R. M. Peterson
As I understand it, Wald's principal thesis, which is reflected in the somewhat provocative main title, is the following: As rock/pop performers -- of which the Beatles were the most conspicuous example -- began to see themselves more as "artists", they consciously aspired to create "high" or "serious" art and in the process divorced themselves and their music from entertainment and, especially, from dancing. At the same time, in part because it is easier to write about "art" than "entertainment," the media pushed the notion that these self-conscious, auteur-ish, studio products were indeed "art", something to be taken and discussed seriously. The two impulses fed and reinforced one another, pushing white rock/pop music further and further away from entertainment, dancing, and (for the first time in 20th-Century popular music) black music. By 1969, "[r]ock had become a white genre."

Whether or not you agree with that thesis (and Wald does marshal enough points and arguments in support of it that I come away willing to accord it some measure of validity), HOW THE BEATLES DESTROYED ROCK 'N' ROLL is still quite valuable as a history of American popular music in the 20th Century (or, ragtime through disco). Especially interesting to me were the discussions of how technological changes -- including recording itself, then advances in recording and developments in the methods of "delivery", such as radio, television, and LPs -- affected popular music. Other influences were economic in nature (the Depression) or political (Prohibition, World War II). I also appreciated the profiles, many of which are several pages in length, of key figures of American pop music, such as Paul Whiteman, Guy Lombardo, Benny Goodman, Mitch Miller, Frank Sinatra, and Harry Belafonte.

Wald is pragmatic and instructive on the blurred dividing lines of genres. For example: "[M]ost of our modern musical genres [are] at root simply marketing categories--that is, we call something jazz or rock less because of any inherent musical characteristics than because we think it will be of interest to people who consider themselves jazz or rock fans." Wald is sensitive to, and intelligently discusses (without letting the matter take over his book), the many manifestations of racial prejudice in the last century of American pop music. Best of all, the book reflects a mature perspective on the very exercise of musical history and criticism. For example, he introduces his book by quoting Charles Rosen (a distinguished classical pianist and critic) to the effect that a music critic does not have to love a work of art or a style in order to write about it critically, but the critic must at least recognize and allow for the fact that other people do love that work or style. In addition, Wald also recognizes that most of those who write music criticism are not the average music fans: "It is often said that history is written by the victors, but in the case of pop music that is rarely true. The victors tend to be out dancing, while the historians sit at their desks, assiduously chronicling music they cannot hear on mainstream radio."

On the negative side, the book drags at times, and some points seem belabored or over-illustrated. I also sense that it could have been organized better. Perhaps shorter chapters or periodic "sign-post" headings would have helped. (But then again, it is published by Oxford University Press, so those kinds of reader-friendly devices might violate the house style.) Whatever the reason was, I could only read a chapter or two at a time. I therefore give the book 4.5 stars and round down to four. Still, whatever you think of the book's title and the thesis that gave rise to it, HOW THE BEATLES DESTROYED ROCK 'N' ROLL is a fine book.

70 of 73 people found the following review helpful.
Misleading Title but a Good Music Book
By Mr. Bey
Accusing one of the greatest bands in history of destroying rock and roll is a bold statement. However this book doesn't really focus on that notion at all. How the Beatles Destroyed Rock n Roll focuses more on the history of music with greater attention focused on lesser known bands that Wald felt were relevant to music. The book has heavy emphasis on Jazz and ragtime so if that isn't your cup of tea then this book is not really for you.

The book reads like Howard Zinn's A People's History of the United States but from a music perspective. Wald throws out popular notions of who was relevant to the formation of modern day music and explores the lesser known bands. This makes for a pretty interesting historical perspective on something we all know and love but it wasn't what I was expecting from the book. In fact the Beatles are rarely mentioned at all in it.

To make a long story short if you're a fan of music historiography then you'll enjoy How the Beatles Destroyed Rock n Roll. If you're looking for an book that focuses on the darker side of the fab four however, you're out of luck.

39 of 43 people found the following review helpful.
The Beatles? Who were they?
By Lee Hartsfeld
I figure I'll get my complaints out of the way first, starting with the terrible title. Yes, the media has pretty much reduced popular music history to (pick one) The Beatles, Elvis Presley, and Frank Sinatra, so it may be that, to get readers, an author has to name-drop one of those three. Imagine if the title had mentioned Earl Fuller, Paul Whiteman, Billy Murray, or Lawrence Welk--the volume might be gathering dust in a Big Lots bin as we speak. Still, "How the Beatles...." is so very misleading as to be a shame. Then again, if it succeeds in grabbing attention, more power to it.

My second major gripe--Wald's assertion that mood music "would have made little sense without long-playing discs" (i.e., prior to 1948), since its main function was "to create a lingering, romantic ambiance." Well, no. Mood music originated as material for silent movies, the musical stage, and early radio, and it proliferated on disc--examples by Paul Whiteman, Erno Rapee, Domenico Savino, and Andre Kostelanetz are common items on eBay. Many of the staples of mood music are 19th and early-20th-century light works that were also staples of early sound recordings--"Narcissus," "To a Wild Rose," "Old Folks at Home," "In a Clock Store," etc.

Finally, I can't help thinking that Wald has exaggerated the gap between early sound recordings and what was happening, performance-wise, outside of the recording studio. Granted, sound recordings provide a limited document, given the particulars of the medium (length, sonic limitations, the use of studio musicians, the recording process' lack of portability, etc.), yet I find no basis for presuming a huge disconnect between what we hear on 78s and what we might have heard "live," especially given that recordings initially followed from (and were necessarily derivative of) other media such as sheet music, pit band orchestrations, music hall sketches, etc.

What I liked, on the other hand, could fill a book. First and foremost, Wald is to be praised for treating popular music as just that--popular music. As in, the music that people listened to, vice the music that critics think people SHOULD HAVE listened to. It's a sad comment on music journalism that it's taken this long for the concept of "popular" to take hold, but late is better than never. That his approach has been received as revolutionary is a bit scary, not least of all because it's true. Again, better late than never.

And his coverage of the impact of rock and roll on jazz, etc. is the savviest account I've yet seen--yes, absolutely, beyond a doubt, rock and roll was seen at the time (by professional musicians, at least) as a triumph of amateurism, which it was to an extent. My jazz-musician father and his friends expressed this view again and again over the years, and even as a kid I could hear the difference in competence between the jazz on my parents' hi-fi and the rock on the radio. My father did surprise me at one point by describing rock and roll as something jazz brought on itself by becoming too remote in its complexity from the popular audience. Wald is also spot-on in his description of Mitch Miller as, more or less, the inventor of modern record production. And I suppose that Paul Whiteman and the Beatles performed similar functions in (what's the best term?) Europeanizing African-American pop music (jazz and R&B, respectively), in making dance-oriented music more a thing to listen to by adding Classical trappings (Ravel, in the case of Whiteman; string quartets and tape loops in the case of the Fab Four).

Greatly appreciated, too, is Wald's emphasis on the sheer, amazing scope of black popular music over the decades, even as PBS and other forces of conventional thinking continue to stereotype same as loud, pounding, and--worst of all--a thing of musical illiteracy, of feeling and instinct over formal accomplishment. Not that white performers haven't been typecast in similar ways--for instance, if Bob Dylan knows the chord changes to "Stardust," the rock press would kill to keep it from coming out--but African Americans are especially the victims of the "natural" cliche--natural rhythm, natural feeling for melody, etc., and never mind that Duke Ellington, James Reese Europe, and Scott Joplin rank among our best-educated and most innovative musicians.

Unlike probably most readers, I came to this volume with a strong orientation in pre-rock pop music--nothing in here is especially "new" to me, but much of the treatment is. Some reviewers have criticized Wald for taking on too much, but he didn't have much of a choice, really, given that basic pop music history is the victim of such neglect. He's taken on a long-overdue task, and there's bound to be a rushed, unfocused quality to some of the text--mainly because he's covering so much new ground. New ground that should not be so. Considering the hugeness of the task, Wald has done a brilliant job. Five well-deserved stars.

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