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New York Times Bestseller

A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.

“Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.”

In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.

• Sales Rank: #1359 in Books
• Published on: 2014-08-05
• Released on: 2014-08-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .76" w x 5.31" l, .0 pounds
• Binding: Paperback
• 336 pages

Amazon.com Review

An Amazon Best Book of the Month, August 2014: "These essays are political and they are personal," Roxanne Gay announces in the introduction of Bad Feminist. "They are, like feminism, flawed, but they come from a genuine place." This place, as displayed throughout the course of her excellent essay collection, is also one of daring intelligence, imagination, and empathy. Gay leads by example. To combat the demeaning stereotype that feminists are humorless, Gay imbues her essays with levity. One of the best pieces comes early in the book when Gay competes in a Scrabble tournament and her success as a beginner angers her male opponents. It's smart and laugh-out-loud funny essay, and in a humbling turn, Gay herself finds a similar unwarranted frustration toward competitors when she begins losing. Bad Feminist represents Gay's body of personal essays and critical work over the past several years, and if the book has a slight misstep, it's that it sometimes feels like these are articles that have been published elsewhere. (For example, Gay's takedown of The Help is extraordinary, but the same arguments return repeatedly in pieces about other films.) Still, this is such a small complaint in a rare collection where each and every piece is vital and the book as a whole feels important. --Kevin Nguyen

Review
“Roxane Gay is the brilliant girl-next-door: your best friend and your sharpest critic. . . . She is by turns provocative, chilling, hilarious; she is also required reading.” (People)

“Roxane Gay applies her discerning eye to everything from Paula Deen to The Bachelor.” (Marie Claire)

“Feisty, whip-smart essays on gender, sexuality, and race.” (Entertainment Weekly)

“One of our sharpest new culture critics plants her flag in topics ranging from trigger warnings to Orange is the New Black in this timely collection of essays.” (O, the Oprah Magazine, 10 Titles to Pick Up Now)

“A trenchant collection. . . . Whatever her topic, Gay’s provocative essays stand out for their bravery, wit, and emotional honesty.” (Publishers Weekly (starred review))

“Toss Roxane Gay’s collection of witty, thoughtful essays, Bad Feminist into your tote bag. With musings on everything from Sweet Valley High to the color pink, Gay explores the idea of being a feminist, even when you’re full of contradictions.” (Self, "Smart beach-read alert")

“A strikingly fresh cultural critic.” (Ron Charles, Washington Post)

“Gay’s essays are consistently smart and provocative. . . . Her essay collection will give you dinner-party conversation through September.” (Jennifer Weiner's 10 best beach reads, USA Today)

“An assortment of comical, yet astute essays that touch on Gay’s personal evolution as a woman, popular culture throughout the recent past, and the state of feminism today.” (Harper's Bazaar)

“Roxane Gay may call herself a bad feminist but she is a badass writer. . . . Reading Bad Feminist is like having a fascinating (one-way) conversation with an extremely smart, well-read, funny and thoughtful party guest. Here’s hoping we have another encounter soon.” (Associated Press)

“Roxane Gay is the gift that keeps on giving. . . . An entertaining and thought-provoking essay collection.” (Time)

“Bad Feminist collects the very good essays of ‘It girl’ culture critic Roxane Gay.” (Vanity Fair, Hot Type)

“Fascinating. . . . An important and pioneering contemporary writer . . . Readers will immediately understand the appeal of Gay’s intimate and down-to-earth voice. . . . An important contribution to the complicated terrain of gender politics.” (Boston Globe)

“Alternately friendly and provocative, wry and serious, her takes on everything from Girls to Fifty Shades of Grey help to recontextualize what feminism is--and what it can be.” (Time Out New York)

“Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.” (Sheila Heti, author of How Should a Person Be?)

“With prodigious bravery and eviscerating humor, Roxane Gay takes on culture and politics in Bad Feminist--and gets it right, time and time again. We should all be lucky enough to be such a bad feminist.” (Ayelet Waldman, author of Love and Treasure and Bad Mother)

“Smart readers cannot afford to miss these essays, which range from socially significant art (Girls, Django in Chains) and feminist issues (abortion) to politics (Chris Brown) and why Gay likes pink.” (Library Journal)

“Pre-order it, put it on the library hold list, whatever. Just get ready to read it and quote it and share it and be challenged by it.” (Book Riot)

“There are writers who can show you the excellence of their brains and writers who show you the depths of their souls: I don’t know any writer who does both at the same time as brilliantly as Roxane Gay.” (Elizabeth McCracken, author of Thunderstruck & Other Stories)

“Trailblazing.” (Salon)

“Praise Roxane Gay for her big-hearted self-examining intelligence, for her inclusive and forgiving stance, for her courage and determination . . . for saying out loud the things we were thinking, for guiding us back to ourselves and returning to us what was ours all along.” (Pam Houston, author of Contents May Have Shifted)

“She had me at Sweet Valley High. Gay playfully crosses the borders between pop culture consumer and critic, between serious academic and lighthearted sister-girl, between despair and optimism, between good and bad. . . . How can you help but love her?” (Melissa Harris-Perry, Wake Forest Professor and MSNBC host)

“As Bad Feminist proves, Gay is a necessary and brave voice when it comes to figuring out all the crazy mixed messages in our mixed-up world.” ("20 New Nonfiction Books That Will Make You Smarter," Flavorwire)

“Gay writes with probing intelligence about pop-culture topics from the morality of Tyler Perry to how much the Sweet Valley High books mattered to her.” (Milwaukee Journal Sentinel)

“Bad Feminist places pop culture under her sharp, often hilarious, always insightful microscope.” (GQ.com)

“A collection of sharp, Sontag-ianly searing pieces on everything from Orange Is the New Black to likability in fiction to abortion legislation. . . . Her pieces manage to be at once conversational and full of pithy aphorisms.” (The L Magazine)

“Gay is poised to hit the big time.” (Nylon Magazine)

“As a feminist who has been around a while I have a message for these girls: it’s okay — you can skip the rigors of Betty Friedan and Andrea Dworkin and go straight to Roxane Gay, where feminism is not just friendly, but more relevant than ever.” (Erika Schickel, Los Angeles Review of Books)

“What’s so special about this collection is its accessibility - Gay is nothing short of a critical genius, yet every essay is approachable and open while still being thorough. Her writing is rare, and at that, not to be missed.” (Bustle)

“I’m pretty sure Gay is incapable of writing anything boring. . . . Even better: It’s an essay collection, so you can parse it out, maybe save a couple for days when the Internet is particularly infuriating.” (Jezebel)

“With trenchant thoughts on Sweet Valley High, The Help, abortion, and Chris Brown, Gay isn’t really a bad feminist, just an uncommonly entertaining one.” (Vulture, "8 Books You Need to Read This August")

“A meaty volume of personal essays and criticism from one of the great storytellers and smartest cultural observers out there. . . . Gay is as critical and as she is admiring. That balance is what actually makes these essays so enjoyable and honest.” (Feministing.com)

“One of the liveliest, most joy-inducing books of the year. . . . Bad Feminist is a tour de force and Roxane Gay is a writer of considerable power, intelligence and moral acuity.” (Huffington Post)

“Bad Feminist is a broad, compelling book. . . . It’s a book that feels like it needed to be out in the world . . . a book that feels vital, alive, and engaged with the world, and we need more writers as passionate as Roxane Gay.” (Flavorwire)

“Powerful, and its winsomeness is due entirely to Gay’s fearless, inclusive and accessible prose.” (Shelf Awareness)

“Read Bad Feminist to feel good about reading Vogue.” (New York Magazine, "Approval Matrix: Highbrow and Brilliant")

“Gay’s writing is thoughtful and funny, compassionate and bold, and she’s just as likely to discuss Sweet Valley High as Django Unchained or Judith Butler.” (Refinery29)

“Arresting and sensitive. . . . An author who filters every observation through her deep sense of the world as fractured, beautiful, and complex.” (Slate)

“Gay’s essays expertly weld her personal experiences with broader gender trends occurring politically and in popular culture.” (Huffington Post)

“What makes Bad Feminist such a good read isn’t only Gay’s ability to deftly weave razor-sharp pop cultural analysis and criticism with a voice that is both intimate and relatable. It’s that she’s incapable of blindly accepting any kind of orthodoxy.” (San Francisco Chronicle)

“Blunt and funny. . . . [Gay acknowledges] ‘I am a mass of contradictions.’ For Gay, though, these contradictions are less a condition to be remedied than a source of greater strength.” (Washington Post)

“A prolific and exceptionally insightful writer. . . . Bad Feminist doesn’t show us how Gay should be, but something much better: how Roxane Gay actually is. . . . Gay unquestionably succeeds at leading us in her way.” (Globe and Mail (Toronto))

“I know there are still four and a half months left, but I’m calling it now: 2014 is the year of Roxane Gay. I just devoured her book, Bad Feminist . . . Amazing.” (Rookie)

“Incisive, self-aware, risky, and often funny, the author’s writing is reminiscent of Nora Ephron’s 1975 collection of feminist essays, Crazy Salad. . . . Gay possesses a distinct perspective and singular voice.” (Library Journal)

“A thoughtful and often hilarious new collection of essays.” (Chicago Tribune)

“”[Gay’s] energetic and thought-provoking first essay collection will become as widely read as other generation-defining works, like Nora Ephron’s Crazy Salad and Joan Morgan’s When Chickenheads Come Home to Roost.” (Essence)

“Roxane Gay delivers sermons that read like easy conversations. Bad Feminist is an important collection of prose—prose that matters to those still trying to find their voice.” (Ebony)

“Honest and warm. She takes a close, scathing look at modern music and film. . . . I believe her essay collection will open a lot of eyes and inspire women of all ages to stand and speak up.” (SheKnows.com)

“It’s no surprise that Roxane Gay - author, essayist and sharp observer of everything in pop culture we’re supposed to be too cool to like - has written such a winning book. . . . Perfectly imperfect, Gay is an unforgettable voice, coming at just the right time.” (NPR, Best Books of 2014)

“As a culture critic, Gay has X-ray eyes. Her writing is smart and trenchant . . . She’s disarming and one of us, only smarter. She has a tumblr and she writes about Internet dating. We love her, you know?” (Philadelphia Inquirer)

“Above all, Gay disabuses the stereotype of a humorless feminist, writing in a voice that’s fresh, funny and always accessible.” (Sacramento News Review)

“[A] touching and crucial essay collection. . . . If you’re interested in critical thinking about culture, this book is a must.” (Newsweek)

“Roxane Gay offers an unique (and often biting) perspective on pop culture.” (Miami Herald)

“Gay offers a complex and multifarious feminism to answer the movement’s ongoing PR issues, its flaws and its failures. . . . Bad Feminist surveys culture and politics from the perspective of one of the most astute critics writing today.” (Boston Review)

“Rip-roaringly funny and insightful essays.” (PureWow.com)

“Roxane Gay and her new book Bad Feminist are here to save us all. . . . It’s a swift read with some serious substance. . . . GET TO KNOW HER ALREADY.” (xoJane.com)

“Roxane Gay’s ability to write so clearly about complex issues is truly impressive. Her essays about feminism, race, and class are hilarious, moving, and yes, educational, but never in a way that feels tired or boring.” (Cosmopolitan, "28 Life-Changing Books Every Woman Should Read")

“The book is powerful, and its winsomeness is due entirely to Gay’s fearless, inclusive and accessible prose.” (Shelf Awareness, Best Books of the Year)

“Gay’s writing is as accessible as it is sharp. . . . In the volume of essays, Gay mixes the personal, the political and the pop cultural with unashamed acknowledgement that the three are interrelated and often inseparable.” (Indianapolis Business Journal)

“[Gay is] hilarious. But she also confronts more difficult issues of race, sexual assault, body image, and the immigrant experience. She makes herself vulnerable and it’s refreshing.” (Tanvi Misra, Atlantic, "The Best Book I Read This Year")

“Bad Feminist is often LOL funny but continuously ruthless.” (San Antonio Express-News)

“Gay’s insightful exploration of this topic makes readers worry less about their occasional shortcomings and more comfortable with being human.” (BookPage)

“Entertaining and enlightening. . . . Bad Feminist is an outtake of her wisdom, and we would all do well to take heed.” (Bitch Magazine)

“There has never been a book quite like Bad Feminist—a sometimes funny, sometimes serious pop-culture-literary-nonfiction-social-commentary hybrid written by a black woman in America.” (The Root)

“Gay, who has become one of our most provocative essayists, leaves nothing off the table in her debut collection . . . Taken in whole, Bad Feminist is a brave affirmation of selfhood: I am a woman, this is my story, and there is power in its telling.” (Gawker, "The Best Books to Give This Holiday Season: A Bookseller's Guide")

“Roxane Gay’s Bad Feminist hardly needs more praise, but no other book speaks more eloquently, or more directly, about today’s most crucial issues. . . . Gay’s essays are intimate and accessible, but broad in scope and deep in insight.” (Celeste Ng, "Writers’ favorite books of 2014," San Francisco Gate)

“If you’re in the mood to read wonderful, thought-provoking essays that feel like they’re written by your best friend, check out Bad Feminist. . . . Gay puts you at ease as she shakes the foundations of what you believe.” (Buzzfeed, Sami Main, "28 Best Books by Women in 2014")

From the Back Cover

One of our most indispensable writers . . . on everything that matters

Most helpful customer reviews

5 of 5 people found the following review helpful.
I wanted to like this book
By Char King
I wanted to like this more than I did. At first I loved it. I felt like I related to Roxane Gay a lot. As the book went on, a lot of the essays seemed just to complain about many things in pop culture. I'd like to say she "critiqued" many things in pop culture, but it really seemed more like complaining after a while. It kind of droned about the things she doesn't like (like I'm doing right now--this is not lost on me, haha) without much insight into where those feature of our culture come from or how we can improve. It's not like she's not a great thinker, I just don't think it came through very well in some parts of the book. The first half was 5 stars, second half was 1 star.

1 of 1 people found the following review helpful.
It's always a struggle to find that perfect feminist stance
By C.Erickson
I didn’t know what to expect when opening a book entitled, “Bad Feminist.” I certainly didn’t expect to read about Gay’s devotion to the Sweet Valley High book series, or her obsession with competitive Scrabble, or her enjoyment of the Hunger Games books despite their literary pitfalls. She offers these reflections alongside essays lamenting violence against women and the LGBT community, and the depressing persistence of rape culture and racism. The latter essays tend to be gritty, factual, intensely-layered with a complex and nuanced perspective; they showcase her ability to imbibe culture in all its forms—media, news, movies, literature—and lay it out for us to see, think about, and agree or disagree with. In one notable essay, “The Solace of Preparing Fried Foods and Other Quaint Remembrances from 1960s Mississippi: Thoughts on The Help”, Gay bemoans the ever-lingering trope of the “magical negro” and its presence in movies and popular literature. She writes: “In The Help, there are not one but twelve or thirteen magical negroes who use their mystical powers to make the world a better place by sharing their stories of servitude and helping Eugenia ‘Skeeter’ Phelan grow out of her awkwardness and insecurity into a confident, racially aware, independent career woman. It’s an embarrassment of riches for fans of the magical negro trope” (Pg. 210). When I read this, other movies came to mind, such as The Green Mile, in which the person of color, John Coffey, significantly improves the lives of the white people in his life but doesn’t save himself from being put to death by electrocution. Coffey brings animals back to life and sucks cancer from a white woman’s body, accepting it not without distress and pain to his own person, and reassures the whites around him that he is ready to die, and in fact wants to die. Gay wishes for a day when people of color play characters other than a slave or a “magical negro” or a combination of the two; she wishes for a day when the script has a person of color performing significant acts for their own destiny and not for someone else.

In a world where people think increasingly in absolutist claims, such as We versus Them, and use increasingly simplified and stunted language that can hardly do justice to the many ways life is lived, Gay’s writing forces the reader to consider the infinite shades of gray that exist in the world beyond the black and white, and demands through her logic that people be allowed to thrive in a variety of lifestyles, modes, and cultures and be respected and loved—despite religion, skin color, gender, chosen life paths, and level of so-called femininity.

Isn’t this book about being a bad feminist? Yes, but Gay’s views of herself, what feminism means for her and what she thinks it should mean today are intertwined with her ruminations on literature and culture. There’s not just one right way to be a feminist; there’s the way of being who you are, plus feminism, and then you can be both, even if it doesn’t quite fit in the lines of what the perceived perfect feminist might be (for instance, Gay likes the color pink). As if sighing at the end of a lengthy conversation, she says in her last essay: “I am a mess of contradictions.” We are all; yet few of us are strong enough to admit it.

2 of 2 people found the following review helpful.
Not Quite What I Was Expecting, But a Good Intro to Feminism
By Melissa Selzer
Overall, this book of essays is a great introduction to feminism. The beginning sets a great tone, but I felt the book didn't quite live up to my expectations. What I enjoyed most is the how she tries to abolish the old ideas of being a feminist. What I didn't like is I wanted more of her, but she discusses pop culture too often for my liking. This is the very reason why I think it's a good start for anybody to talk about what it means to be a feminist. I was hoping for a bit more than I got here, but I feel like the discussions in my book club in regards to this book were fruitful.

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• Sales Rank: #2144633 in Books
• Published on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x .30" w x 8.10" l, .0 pounds
• Binding: Library Binding
• 32 pages

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• Sales Rank: #2606098 in Books
• Published on: 1997-08
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.75" w x 1.50" l,
• Binding: Hardcover
• 530 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
An Excellent Reference for Airline Managers and Students
By Miguel Hidalgo
I found this book to be among the best written about the airline industry. It is clear and straight-forward. It is packed with excellent notes and references for further study. This incredible achievement must be given to Paul Dempsey and Laurence Gesell for their outstanding efforts in delivering the most relevant business strategies for successful airlines into the next century.
I must strongly disagree with the crude and unsophisticated review given by another reviewer here.
This book delivered far beyond my expectations. GET IT!

13 of 14 people found the following review helpful.
A commendable introduction to the airline industry
By Pierre Weydert
This is the first academic book on the airline industry that I read and I still consider it the most readable one. However, as other reviewers have correctly pointed out, the book's title is blatantly misleading: This is by no means a manual delineating airline strategies for the 21st century but rather a thorough introduction to the airline industry and to the U.S. airline industry in particular. Apart from the odd subtitle, though, the book does live up to the expectations by brilliantly explaining the basics of airline management, and some chapters - especially the ones on airline economics, planning and price - are written so well and are so easy to understand that I would like to recommend Mr Dempsey and Mr Gesell's work to any student aiming to make himself familiar with the peculiarities of the airline industry.
Still, there are two minor omissions in this book that deserve to be noted. Firstly, the book having been published in 1997 only scarce mention is being made of the internet's role as a competitive tool used to enhance direct distribution within the industry; considering that nowadays more and more airlines are relying on internet technology in order to contain their operating costs, this is a point that truly needs to be updated. Secondly - and as has already been pointed out - the book's industry analysis focusses on the situation in the U.S., thus for the most part leaving aside the European and Asian markets where the airline industry tends to be heavily regulated and where the challenges airline managers are up against can be very different from the ones in the U.S.
All in all, however, this book offers a detailed and surprisingly readable introduction to the airline industry, and anybody who as yet has not read anything on the subject will not be disappointed in choosing the work by Mr Dempsey and Mr Gesell.

3 of 3 people found the following review helpful.
A Must For Any Aviation Professional!
By Janet Dyer
This book went into great detail regarding the economics, finance, and other managerial perspectives of the airline industry. Included were several helpful tables, graphs and statistics. This book complemented an airline operations course I recently completed at college, within an aviation management program. This book serves as a great reference and will not collect dust on my shelf! Dempsey exhibits remarkable expertise throughout the chapters in this book. Anyone planning on going into any kind of aviation career should read this to remain knowledgeable of current situations within the airline industry. Overall, this has been the best aviation textbook I've read throughout my undergraduate training.

See all 8 customer reviews...

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[Y724.Ebook] Ebook Download The Recruit (CHERUB), by Robert Muchamore

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CHERUB agents are highly trained, extremely talented--and all under the age of seventeen. For official purposes, these agents do not exist. They are sent out on missions to spy on terrorists, hack into crucial documents, and gather intel on global threats—all without gadgets or weapons. It is an exceptionally dangerous job, but these agents have one crucial advantage: adults never suspect that teens are spying on them.

James is the latest CHERUB recruit. He’s a bit of a troublemaker, but he’s also brilliant. And CHERUB needs him. James has no idea what to expect, but he’s out of options. Before he can start in the field he must first survive one hundred grueling days of basic training, where even the toughest recruits don’t make it to the end....

• Sales Rank: #24358 in Books
• Brand: Simon Pulse
• Published on: 2010-12-21
• Released on: 2010-12-21
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .90" w x 5.50" l, .65 pounds
• Binding: Paperback
• 352 pages

Review
Praise for books in the CHERUB series: 'Punchy, exciting, glamorous and, what's more, you'll completely wish it was true.' Sunday Express [A] pacey spy thriller... taut writing and powerful descriptions Time Out 'Crackling tension and high-octane drama.' Daily Mail 'A really good book that you could re-read over and over again.' Guardian 'Pacy writing, punchy dialogue and a gripping plot, it's got it all.' Daily Express 'Fast-moving action ... and cool gadgets!' The Times

About the Author
Robert Muchamore was born in London in 1972 and used to work as a private investigator. CHERUB is his first series and is published in more than twenty countries. For more on the series, check out CherubCampus.com/USA.

Excerpt. © Reprinted by permission. All rights reserved.
The Recruit

CHAPTER 9 STRANGE
This room was flashier than the one at Nebraska House. It was a single for starters. TV, kettle, telephone, and miniature fridge. It was like the hotel when his mum took him and Lauren to Disney World. James didn’t have a clue where he was or how he’d got there. The last thing he remembered was Jennifer Mitchum asking him up to her office after he got back to Nebraska House.

James burrowed around under the duvet and realized he was naked. That was freaky. He sat up and looked out of the window. The room was high up overlooking an athletics track. There were kids in running spikes doing stretches. Some others were getting tennis coaching on clay courts off to the side. This was clearly a children’s home, and miles nicer than Nebraska House.

There was a set of clean clothes on the floor: white socks and boxers, pressed orange T-shirt, green military-style trousers with zipped pockets, and a pair of boots. James picked the boots up and inspected them: rubbery smell and shiny black soles. They were new.

The military-style clothes made James wonder if this was where kids ended up if they kept getting into trouble. He put on the underwear and studied the logo embroidered on the T-shirt. It was a crosshair with a set of initials: CHERUB. James spun the initials in his head, but they didn’t make any sense.

Out in the corridor the kids had the same boots and trousers as James, but their T-shirts were either black or gray, all with the CHERUB logo on them.

James spoke to a boy coming towards him.

“I don’t know what to do,” James said.

“Can’t talk to orange,” the boy said, without stopping.

James looked both ways. It was a row of doors in either direction. There were a couple of teenage girls down one end. Even they were wearing boots and green trousers.

“Hey,” James said. “Can you tell me where to go?”

“Can’t talk to orange,” one girl said.

The other one smiled, saying, “Can’t talk,” but she pointed towards a lift and then made a downward motion with her hand.

“Cheers,” James said.

James waited for the lift. There were a few others inside including an adult who wore the regulation trousers and boots but with a white CHERUB T-shirt. James spoke to him.

“Can’t talk to orange,” the adult said before raising one finger.

Up to now James had assumed this was a prank being played on the new kid, but an adult joining in was weird. James realized the finger was telling him to get out at the first floor. It was a reception area. He could see out the main entrance into plush gardens where a fountain spouted water five meters into the air. James stepped up to an elderly lady behind a desk.

“Please don’t say ‘Can’t talk to orange,’ I just—”

He didn’t get to finish.

“Good morning, James. Doctor McAfferty would like to see you in his office.”

She led James down a short corridor and knocked on a door.

“Enter,” a soft Scottish accent said from inside.

James stepped into an office with full height windows and a crackling fireplace. The walls were lined with leather-bound books. Dr. McAfferty stood up from behind his desk and crushed James’s hand as he shook it.

“Welcome to CHERUB campus, James. I’m Doctor Terrence McAfferty, the chairman. Everybody calls me Mac. Have a seat.”

James pulled out a chair from under Mac’s desk.

“Not there, by the fire,” Mac said. “We need to talk.”

The pair settled into armchairs in front of the fireplace. James half-expected Mac to put a blanket over his lap and start toasting something on a long fork.

“I know this sounds dumb,” James said. “But I can’t remember how I got here.”

Mac smiled. “The person who brought you here popped a needle in your arm to help you sleep. It was quite mild. No ill effects, I hope?”

James shrugged. “I feel fine. But why make me go to sleep?”

“I’ll explain about CHERUB first. You can ask questions afterwards. OK?”

“I guess.”

“So what are your first impressions of us?”

“I think some children’s homes are much better funded than others,” James said. “This place is awesome.”

Doctor McAfferty roared with laughter. “I’m glad you like it. We have two hundred and eighty pupils. Four swimming pools, six indoor tennis courts, an all-weather football field, a gymnasium and a shooting range, to name but a few. We have a school on-site. Classes have ten pupils or fewer. Everyone learns at least two foreign languages. We have a higher proportion of students going on to top universities than any of the leading public schools. How would you feel about living here?”

James shrugged. “It’s beautiful, all the gardens and that. I’m not exactly brilliant at school though.”

“What is the square root of four hundred and forty-one?”

James thought for a few seconds.

“Twenty-one.”

“I know some very smart people who wouldn’t be able to pull off that little party trick.” Mac smiled. “Myself included.”

“I’m good at maths.” James smiled, embarrassed. “But I never get good marks in my other lessons.”

“Is that because you’re not clever or because you don’t work hard?”

“I always get bored and end up messing around.”

“James, we have a couple of criteria for new residents here. The first is passing our entrance exam. The second, slightly more unusual requirement, is that you agree to be an agent for British Intelligence.”

“You what?” James asked, thinking he hadn’t heard right.

“A spy, James. CHERUB is part of the British Intelligence Service.”

“But why do you want children to be spies?”

“Because children can do things adults cannot. Criminals use children all the time. I’ll use a house burglar as an example:

“Imagine a grown man knocking on an old lady’s door in the middle of the night. Most people would be suspicious. If he asked to come in the old lady would say no. If the man said he was sick she’d probably call an ambulance for him, but she still wouldn’t let him in the door.

“Now imagine the same lady comes to her door and there’s a young boy crying on the doorstep. ‘My daddy’s crashed up the street. He’s not moving. Please help me.’ The lady opens the door instantly. The boy’s dad jumps out of hiding, clobbers the old dear over the head and legs it with all the cash under the bed. People are always less suspicious of youngsters. Criminals have used this for years. At CHERUB, we turn the tables and use children to help catch them.”

“Why pick me?”

“Because you’re intelligent, physically fit, and you have an appetite for trouble.”

“Isn’t that bad?” James asked.

“We need kids who have a thirst for a bit of excitement. The things that get you into trouble in the outside world are the sort of qualities we look for here.”

“Sounds pretty cool,” James said. “Is it dangerous?”

“Most missions are fairly safe. CHERUB has been in operation for over fifty years. In that time four youngsters have been killed, a few others badly injured. It’s about the same as the number of children who would have died in road accidents in a typical inner-city school, but it’s still four more than we would have liked. I’ve been chairman for ten years. Luckily, all we’ve had in that time is one bad case of malaria and someone getting shot in the leg.

“We never send you on a mission that could be done by an adult. All missions go to an ethics committee for approval. Everything is explained to you, and you have an absolute right to refuse to do a mission or to give it up at any point.”

“What’s to stop me telling about you if I decide not to come here?”

Mac sat back in his chair and looked slightly uncomfortable.

“Nothing stays secret forever, James, but what would you say?”

“What do you mean?”

“Imagine you’ve found the telephone number of a national newspaper. You’re speaking to the news desk. What do you say?”

“Um . . . There’s this place where kids are spies and I’ve been there.”

“Where is it?”

“I don’t know. . . . That’s why you drugged me up, isn’t it? So I didn’t know where I was.”

Mac nodded. “Exactly, James. Next question from the news desk: Did you bring something back as evidence?”

“Well . . .”

“We search you before you leave, James.”

“No then, I guess.”

“Do you know anyone connected with this organization?”

“No.”

“Do you have any evidence at all?”

“No.”

“Do you think the newspaper would print your story, James?”

“No.”

“If you told your closest friend what has happened this morning, would he believe you?”

“OK, I get the point. Nobody will believe a word I say so I might as well shut my trap.”

Mac smiled.

“James, I couldn’t have put it better. Do you have any more questions?”

“I was wondering what CHERUB stood for?”

“Interesting one, that. Our first chairman made up the initials. He had a batch of stationery printed. Unfortunately he had a stormy relationship with his wife. She shot him before he told anyone what the initials meant. It was wartime, and you couldn’t waste six thousand sheets of headed notepaper, so CHERUB stuck. If you ever think of anything the initials might stand for, please tell me. It gets quite embarrassing sometimes.”

“I’m not sure I believe you,” James said.

“Maybe you shouldn’t,” Mac said. “But why would I lie?”

“Perhaps knowing the initials would give me a clue about where this place is, or somebody’s name or something.”

“And you’re trying to convince me you wouldn’t make a good spy.”

James couldn’t help smiling.

“Anyway, James, you can take the entrance exam if you wish. If you do well enough I’ll offer you a place and you can go back to Nebraska House for a couple of days to make up your mind. The exam is split into five parts and will last the rest of the day. Are you up for it?”

“I guess,” James said.|The Recruit

CHAPTER 10 TESTS
Mac drove James across the CHERUB campus in a golf buggy. They stopped outside a traditional Japanese-style building with a single-span roof made of giant sequoia logs. The surrounding area had a combed gravel garden and a pond stuffed with orange fish.

“This building is new,” Mac said. “One of our pupils uncovered a fraud involving fake medicine. She saved hundreds of lives and billions of yen for a Japanese drug company. The Japanese thanked us by paying for the new dojo.”

“What’s a dojo?” James asked.

“A training hall for martial arts. It’s a Japanese word.”

James and Mac stepped inside. Thirty kids wearing white pajamas tied with black or brown belts were sparring, twisting one another into painful positions, or getting flipped over and springing effortlessly back up. A stern Japanese lady paced among them, stopping occasionally to scream criticism in a mix of Japanese and English that James couldn’t understand.

Mac led James to a smaller room. Its floor was covered with springy blue matting. A wiry kid was standing at the back doing stretches. He was about four inches shorter than James, in a karate suit with a black belt.

“Take your shoes and socks off, James,” Mac said. “Have you done martial arts before?”

“I went a couple of times when I was eight,” James said. “I got bored. It was nothing like what’s going on out there. Everyone was rubbish.”

“This is Bruce,” Mac said. “He’s going to spar with you.”

Bruce walked over, bowed and shook James’s hand. James felt confident as he squashed Bruce’s bony little fingers. Bruce might know a few fancy moves but James reckoned his size and weight advantage would counter them.

“Rules,” Mac said. “The first to win five submissions is the winner. An opponent can submit by speaking or by tapping his hand on the mat. Either opponent can withdraw from the bout at any time. You can do anything to get a submission except hitting the testicles or eye gouging. Do you both understand?”

Both boys nodded. Mac handed James a gum shield.

“Stand two meters apart and prepare for the first bout.”

The boys walked to the center of the mat.

“I’ll bust your nose,” Bruce said.

James smiled. “You can try, shorty.”

“Fight,” Mac said.

Bruce moved so fast James didn’t see the palm of his hand until it had smashed into his nose. A fine mist of blood sprayed as James stumbled backwards. Bruce swept James’s feet away, tipping him on to the mat. Bruce turned James on to his chest and twisted his wrist into a painful lock. He used his other hand to smear James’s face in the blood dripping from his nose.

James yelled through his gum shield, “I submit!”

Bruce got off. James couldn’t believe Bruce had half killed him in five seconds. He wiped his bloody face on the arm of his T-shirt.

“Ready?” Mac asked.

James’s nose was clogged with blood. He gasped for air.

“Hang on, Mac,” Bruce said. “What hand does he write with?”

James was grateful for a few seconds’ rest but wondered why Bruce had asked such a weird question.

“What hand do you write with, James?” Mac asked.

“My left,” James said.

“OK, fight.”

There was no way Bruce was getting the early hit in this time. James lunged forward. Trouble was, Bruce had gone by the time James got there. James felt himself being lifted from behind. Bruce threw James on to his back then sat astride him with his thighs crushing the wind out of him. James tried to escape but he couldn’t even breathe. Bruce grabbed James’s right hand and twisted his thumb until it made a loud crack.

James cried out. Bruce clenched his fist and spat out his gum shield. “I’m gonna smash the nose again if you don’t submit.”

The hand looked a lot scarier than when James had shaken it a couple of minutes earlier.

“I submit,” James said.

James held his thumb as he stumbled to his feet. A drip of blood from his nose ran over his top lip into his mouth. The mat was covered in red smudges.

“You want to carry on?” Mac asked.

James nodded. They squared up for a third time. James knew he had no chance with blood running down his face and his right hand so painful he couldn’t even move it. But he had so much anger he was determined to get one good punch in, even if it got him killed.

“Please give up,” Bruce said. “I don’t want to hurt you badly.”

James charged forward without waiting for the start signal. He missed again. Bruce’s heel hit James in the stomach. James doubled over. All he could see was green and yellow blurs. Still standing, James felt his arm being twisted.

“I’m breaking your arm this time,” Bruce said. “I don’t want to.”

James knew he couldn’t take a broken arm.

“I give up!” he shouted. “I withdraw.”

Bruce stepped back and held his hand out for James to shake it. “Good fight, James,” he said, smiling.

James limply shook Bruce’s hand. “I think you broke my thumb,” he said.

“It’s only dislocated. Show me.”

James held out his hand.

“This is going to hurt,” Bruce said.

He pressed James’s thumb at the joint. The pain made James buckle at the knees as the bone crunched back into place.

Bruce laughed. “You think that’s painful, one time someone broke my leg in nine places.”

James sank to the floor. The pain in his nose felt like his head was splitting in two between his eyes. It was only pride that stopped him crying.

“So,” Mac said. “Ready for the next test?”

•  •  •

James realized now why Bruce had asked which hand he wrote with. His right hand was painful beyond use. James sat in a hall surrounded by wooden desks. He was the only one taking the test. He had bits of bloody tissue stuffed up each nostril and his clothes were a mess.

“Simple intelligence test, James,” Mac explained. “Mixture of verbal and mathematical skills. You have forty-five minutes, starting now.”

The questions got harder as the paper went on. Normally it wouldn’t have been bad but James hurt in about five different places, his nose was still bleeding, and every time he shut his eyes he felt like he was drifting backwards. He still had three pages left when time ran out.

•  •  •

James’s nose had finally stopped bleeding and he could move his right hand again, but he still wasn’t happy. He didn’t think he’d done well on the first two tests.

The crowded canteen was weird. Everybody stopped talking when James got near them. He got “Can’t talk to orange” three times before somebody pointed out cutlery. James took a block of lasagne with garlic bread and a fancy-looking orange mousse with chocolate shreds on top. When he got to the table he realized he hadn’t eaten since the previous night and was starving. It was loads better than the frozen stuff at Nebraska House.

•  •  •

“Do you like eating chicken?” Mac asked.

“Sure,” James said.

They were sitting in a tiny office with a desk between them. The only thing on the desk was a metal cage with a live chicken in it.

“Would you like to eat this chicken?”

“It’s alive.”

“I can see that, James. Would you like to kill it?”

“No way.”

“Why not?”

“It’s cruel.”

“James, are you saying you want to become a vegetarian?”

“No.”

“If you think it’s cruel to kill the chicken, why are you happy to eat it?”

“I don’t know,” James said. “I’m twelve years old, I eat what gets stuck in front of me.”

“James, I want you to kill the chicken.”

“This is a dumb test. What does this prove?” James asked.

“I’m not discussing what the tests are for until they’re all over. Kill the chicken. If you don’t, somebody else has to. Why should they do it instead of you?”

“They get paid,” James said.

Mac took his wallet out of his jacket and put a five-pound note on top of the cage.

“Now you’re getting paid, James. Kill the chicken.”

“I . . .”

James couldn’t think of any more arguments and felt that at least if he killed the chicken he would have passed one test.

“OK. How do I kill it?”

Mac handed James a biro.

“Stab the chicken with the tip of the pen just below the head. A good stab should sever the main artery down the neck and cut through the windpipe to stop the bird breathing. It should be dead in about thirty seconds.”

“This is sick,” James said.

“Point the chicken’s bum away from yourself. The shock makes it empty its bowels quite violently.”

James picked up the pen and reached into the cage.

•  •  •

James stopped worrying about the warm chicken blood and crap on his clothes as soon as he saw the wooden obstacle. It started with a long climb up a rope ladder. Then you slid across a pole, up another ladder, and over narrow planks with jumps between them. James couldn’t see where you went from there because the obstacle disappeared behind trees. All he could tell was that it got even higher and there were no safety nets.

Mac introduced James to his guides, a couple of fit-looking sixteen-year-olds in navy CHERUB T-shirts called Paul and Arif. They clambered up the ladder, the two older boys sandwiching James.

“Never look down,” Arif said. “That’s the trick.”

James slid across the pole going hand over hand, fighting the pain in his right thumb. The first jump between planks was only about a meter. James went over after a bit of encouragement. They climbed another ladder and walked along more planks. This set were twenty meters above ground. James placed his feet carefully, keeping his eyes straight ahead. The wood creaked in the breeze.

There was a one and a half meter gap between the next set of planks. Not a difficult jump at ground level but between two wet planks twenty meters up, James was ruffled. Arif took a little run up and hopped over easily.

“It’s simple, James,” Arif said. “Come on, this is the last bit.”

A bird squawked. James’s eyes followed it down. Now he saw how high he was and started to panic. The clouds moving made him feel like he was falling.

“I can’t stand it up here,” James said. “I’m gonna puke.”

Paul grabbed his hand.

“I can’t do it,” James said.

“Of course you can,” Paul said. “If it was on the ground you wouldn’t break your stride.”

“But it’s not on the bloody ground!” James shouted.

James wondered why he was standing twenty meters up, with a headache, an aching thumb, plus dried blood and chicken crap all over him. He thought about how rubbish Nebraska House was and what Sergeant Davies had said about his knack of getting into trouble landing him in prison. The jump was worth the risk. It could change his whole life.

He took a run up. The plank shuddered as he landed. Arif steadied him. They walked to a balcony with a hand rail on either side.

“Brilliant,” Arif said. “Now there’s only one more bit to go.”

“What?” James said. “You just said that was the last bit. Now we just go down the ladder.”

James looked. There were two hooks for attaching a rope ladder. But the ladder wasn’t there.

“We’ve got to go all the way back?” James asked.

“No,” Arif said. “We’ve got to jump.”

James couldn’t believe it.

“It’s easy, James. Push off as you jump and you’ll hit the crash mat at the bottom.”

James looked at the muddy blue square on the ground below.

“What about all the branches in the way?” James asked.

“They’re only thin ones,” Arif said. “Sting like hell if you hit them though.”

Arif dived first.

“Clear,” a miniature Arif shouted from the bottom.

James stood on the end of the plank. Paul shoved him before he could decide for himself. The flight down was amazing. The branches were so close they blurred. He hit the crash mat with a dull thump. The only damage was a cut on his arm where a branch had whipped him.

•  •  •

James could only swim a couple of strokes before he got scared. He’d had no dad to take him swimming. His mum had avoided the pool because she was fat and everyone laughed at her in a swimming suit. The only time James had been swimming was with his school. Two kids James had bullied on dry land had pulled him out of his depth and abandoned him. He’d got dragged out and the instructor had had to pump water out of his lungs. After that James refused to get changed and spent swimming lessons reading a magazine in the changing rooms.

James stood at the edge of the pool, fully dressed.

“Dive in, get the brick out of the bottom, and swim to the other end,” Mac said.

James thought about giving it a go. He looked at the shimmering brick and imagined his mouth filled with chlorinated water. He backed away from the pool, queasy with fear.

“I can’t do this one,” James said. “I can’t even swim one width.”

•  •  •

James was back where he’d started, in front of the fire in Doctor McAfferty’s office.

“So, after the tests, should we offer you a place here?” Mac asked.

“Probably not, I guess,” James said.

“You did well on the first test.”

“But I didn’t get a single hit in,” James said.

“Bruce is a superb martial artist. You would have passed the test if you’d won, of course, but that was unlikely. You retired when you knew you couldn’t win and Bruce threatened you with a serious injury. That was important. There’s nothing heroic about getting seriously injured in the name of pride. Best of all, you didn’t ask to recover before you did the next test and you didn’t complain once about your injuries. That shows you have strength of character and a genuine desire to be a part of CHERUB.”

“Bruce was toying with me, there was no point carrying on,” James said.

“That’s right, James. In a real fight Bruce could have used a choke-hold that would have left you unconscious or dead if he’d wanted to.

“You also scored decently on the intelligence test. Exceptional on mathematical questions, about average on the verbal. How do you think you did on the third test?”

“I killed the chicken,” James said.

“But does that mean you passed the test?”

“I thought you asked me to kill it.”

“The chicken is a test of your moral courage. You pass well if you grab the chicken and kill it straight away, or if you say you’re opposed to killing and eating animals and refuse to kill it. I thought you performed poorly. You clearly didn’t want to kill the chicken but you allowed me to bully you into doing it. I’m giving you a low pass because you eventually reached a decision and carried it through. You would have failed if you’d dithered or got upset.”

James was pleased he’d passed the first three tests.

“The fourth test was excellent. You were timid in places but you got your courage together and made it through the obstacle. Then the final test.”

“I must have failed that,” James said.

“We knew you couldn’t swim. If you’d battled through and rescued the brick, we would have given you top marks. If you’d jumped in and had to be rescued, that would have shown poor judgment and you would have failed. But you decided the task was beyond your abilities and didn’t attempt it. That’s what we hoped you would do.

“To conclude, James, you’ve done good. I’m happy to offer you a place at CHERUB. You’ll be driven back to Nebraska House and I’ll expect your final decision within two days.”

Most helpful customer reviews

1 of 1 people found the following review helpful.
BUUUUUUYYYYYYYYYY
By Jane Shirley
This book is amazing!!! I read this book in a day, i was so in love with the characters and the storyline. I have never picked up a book series and have been so amazed by words on paper. Robert Muchamore has a serious skill for making you feel as if you are standing right in the middle of these stories. Once you read this incredibly book, there is several more books to pick up after this. Trust me once you read the first chapter you will fall in love with these books!!

The Recruit by Robert Muchamore is a book that you will plough through without even realising how much you have read and at that stage you will realise your done.
Stop reading this review and go buy it!!!!

1 of 1 people found the following review helpful.
BOSS!!!!!
By wasp
I am eleven and a good reader I was tired of boring stuff like Alex Rider which in my opinion after you read you can predict. I was on a trip to Amelia Island so before the trip I convinced my mom to get a book and this was it. At first I was a person not liking James but you have to read farther. The action in this book is amazing and isn't predictable as Alex Rider. The one thing that got me hooked was that this isn't really kid like where there is no cussing or fights, or any older content that you may have to read later on in life you can't read picture books when your forty years old. THIS WAS AN AMAZING BOOK!!!!!!!!

0 of 0 people found the following review helpful.
whom both she and James hate, and James is put in a group home
By N Travis
James is a troubled 12 year old living in London, England. His mother dies, his half-sister is taken by her father, whom both she and James hate, and James is put in a group home. Because of his poor choices he ends up in a police station with a threat that he will go to jail if he's brought back... the next night he's brought back! Then he wakes up in a place he's never been before, the Cherub campus. He's told that if he can make it through basic training that he will get a good education and will be a spy working with MI6. He has nothing to lose, so he jumps at the chance. But of course all is not as it seems at Cherub and if he survives basic training, then he still has to figure out just what Cherub does and how he fits into it.

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[K102.Ebook] Ebook Free Love...And Sleepless Nights, by Nick Spalding

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Despite their respective job woes, things are good for Jamie and Laura Newman. After all, they’re madly in love, newly married, and having loads of hot sex; what could go wrong? Plenty. When Laura vomits on prospective employers during an important job interview, she discovers that it’s not the aftereffects of a hangover, but that she―much to her horror―is pregnant. The couple will need to keep a sense of humor amidst the mood swings, awkward sex, bizarre pregnancy cravings (detergent anyone?), and weight gain that ensue. Add in a terrifying midwife, an overbearing mother-in-law, and the horror of a sober girls’ night out, and it’s a recipe for disaster―not to mention loads of laughs. And that’s before the baby arrives! Now if they can only keep from losing their newborn in the grocery store, they might make it out alive in this laugh-out-loud, raunchy, relatable comedy of everyday life as a new parent.

• Sales Rank: #9847622 in Books
• Published on: 2014-01-28
• Released on: 2014-01-28
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Number of items: 7
• Dimensions: 6.50" h x 1.00" w x 7.13" l, .75 pounds
• Running time: 7 Hours
• Binding: Audio CD

Review

‘Already an eBook hit, Love...And Sleepless Nights is finally out in old-fashioned paperback, so you have no excuse not to treat yourself to this funny, truthful tale of a newly married couple who find themselves having a baby much sooner than they expected!’ —New!

‘A hilarious, emotional and painfully honest account of having children...Yet again Nick Spalding managed to make me laugh until my sides hurt and I had tears running down my face. The camping scenario causing me to stop breathing from laughter. Not only did I laugh I got quite emotional too. That is down to the sheer brilliance of Spalding's writing. Beneath the laughter is yet again a remarkable story of a couple who are genuinely in love. I really look forward to any more Jamie and Laura books. I'm now off to order every book that Nick Spalding has written.’ —Shaz's Book Boudoir Blog

'I don't want to say too much about this book because it is genuinely hilarious and I worry that I might ruin it by talking about events that happen. But what I will say is that there are many laugh out loud moments...At a few points I was overcome with laughter and ended up snorting with laughter in quite an embarrassing way, but the story is so funny that you just can't help yourself! I've not long finished reading this fantastic novel and I already cannot wait to see what Nick Spalding brings out next! Love...And Sleepless Nights is such a fun book! It will make you cry with laughter! It is hilarious, highly enjoyable and it is a book that you won't want to put down. I'm now telling everyone I know to give it a try! Brilliant.’ —Reading in the Sunshine Blog

‘A pure laugh out loud roller coaster of a story that entertained my colleagues and myself for a day...packed with witty dialogue, colourful language that regularly changed the pages blue and ridiculous scenarios that made for wonderfully funny reading. Love...And Sleepless Nights is a delightfully witty and crude story, about finding the one, settling down into married life and having to deal with the unexpected bump in the night. A story that had me howling with laughter until my sides ached, this book is a refreshing coming of age love story and Nick Spalding is definitely an author I shall be looking into.’ —Handwritten Girl Blog

About the Author
Nick Spalding is an author who, try as he might, can't seem to write anything serious. He's worked in the communications industry his entire life, mainly in media and marketing. As talking rubbish for a living can get tiresome (for anyone other than a politician), he thought he'd have a crack at writing comedy fiction - with an agreeable level of success so far, it has to be said. Nick lives in the South of England with his fiancee. He is approaching his forties with the kind of dread usually associated with a trip to the gallows, suffers from the occasional bout of insomnia, and still thinks Batman is cool. Nick Spalding is one of the top ten bestselling authors in eBook format in 2012. You can find out more about Nick by following him on twitter https://twitter.com/spalding_author or by reading his blog http://spaldings-racket.blogspot.co.uk/.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Jamie and Laura, Part Deux
By AndreaF
I loved the continuation of the Jamie and Laura saga, almost as much as I did the first book (Love... From Both Sides). In this segment, Jamie and Laura are married and suddenly find themselves to be expectant parents, as well.

While the humor and writing remain solid, and the dialogue still flows well, there are a couple of predictable parts. It should be said that not only did this not detract from my enjoyment of the book at all, and at the end I couldn't wait to purchase the newest book in the series, but also that the story matured pretty well along with its characters. Maybe Jamie still makes a few dopey mistakes, and maybe Laura is a bit harsh (and occasionally makes her own dopey mistakes), but I love the way the relationship, marriage and pregnancy all progress. I also appreciated the new character introductions, brief though they might have been, because they added to the story in a true-to-life fashion, and added to the fun of the book. Personally, I felt that the author did a good job keeping the journal and blog entries true to the characters who wrote them.

I think that this author has a real talent and look forward to reading more work by him.

(There are still adult situations and adult language, so buyer beware if you don't appreciate that type of story.)

0 of 0 people found the following review helpful.
Still Really Funny
By PandaPilot
This is the second book in the series, and also the second best. It's still very often hilarious- especially their midwife, Jamie's impression of Laura's pregnancy, and their hospital stay. Unfortunately, the second half of the book chronicles the first year of their daughter's life, which is fraught with marital problems for the once happy couple. I'm sure this is the norm for relationships that are under the stress of parenting, but I don't want to know that! I want them to still be happy! Therefore, this book gets 4 stars- still funny, but too much sad for 5 stars.

0 of 0 people found the following review helpful.
Tamer than the first book in the series.
By MissMommy
Love From Both Sides was very graphic and a little tasteless, but oh so funny. I approached Love and Sleepless Nights with trepidation. This book is a continuation of the main characters in Both Sides, but it is not nearly as raunchy. There is still some graphic sex albeit with humor. This book seems to have more of a plot and not just humorous incidents.
Spoiler: the infant illness was especially touching and I felt very true to life.
The series seems to be maturing along with the characters.

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[G741.Ebook] Download Ebook The Collected Works of Jessie Penn-Lewis - Seven books in one, by Jessie Penn-Lewis

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This is the definitive collection for readers of Jessie Pen-Lewis. This volumes contains SEVEN of her best-loved books, and is sure to be a blessing to the reader. Penn-Lewis is most widely known for her classic "War on the Saints" but was actually quite a prolific author.

This collection contains the following:
War on the Saints (1912),
Centrality of the Cross (1920),
Soul and Spirit (1913),
The Climax of the Risen Life (1909),
The Awakening in Wales & Some of the Hidden Springs (1905),
Face to Face (1900), and
Thy Hidden Ones (1889).

This collection also contains a thorough Active Table of Contents for quick navigation between books and chapters.

The publications dates of these books are listed above with the titles, and the author passed away in 1927.

• Sales Rank: #76523 in eBooks
• Published on: 2012-10-13
• Released on: 2012-10-13
• Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Great Collection
By For Real
Excellent price for the collected works; highly recommended. Subject matter still relevant today!
Thankfully, Penn-Lewis is still being published. She deserves more exposure.

3 of 3 people found the following review helpful.
Jesse Penn-Lewis and Spiritual Warfare.
By Noretta Parish
Any study of the great Welsh Revival must include a study of Jesse Peen-Lewis's writings. she had a profound affect on the life of the main evangelist of that revival. She also was a leading writer of that day on spiritual warfare.

5 of 6 people found the following review helpful.
Saints vs the Less Than Holy
By pwaq
This Little Lady, Jessie Penn-Lewis, was way ahead of her time. With all the stuff coming down the pike, we all need a boot up on the prayer warrior's Charger! Why ride into battle without all the right tools and on a pure bred Friesian Horse ta-boot? Nothing but the best for God's Kiddos. YeHaw! Go get 'em Saints!

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